The hydro-electric turbine was spinning rapidly, as it should be given that the river was in spate. Coupled with the wind turbine further up the hill, this was an ideal day for Tom to fire his latest creations in the kiln. The river and wind were forecast to be constant for at least three to four days. Time enough.
Tom lived off grid and was proudly independent of national electric and water supply. He wasn’t a complete professional hermit. A 5G signal was essential for his work and when that dropped out a nice café a few miles down the road provided outstanding latte and wi-fi. There wasn’t much that Tom didn’t know about water and wind turbines. He had written several articles for Eco-Manual a whole community of like-minded souls committed to reducing their carbon footprint on Planet Earth. Tom’s long-term girlfriend was not so committed to his cause and found living with her mother preferable to the uncertainty provided by the absence of rain and wind. Not least the odour of latrine bacteria coupled with that of rabbit stew. But, much to her own amazement, she was committed to him. Perhaps it was the zeal for his lifestyle that was so attractive and he was good looking though he often needed a good wash. But other lights were shining in her direction and she was and remains an occasional visitor.
Tom was in the process of producing a series of large porcelain figures. A limited edition in the style of Henry Moore meets Anthony Gormley. Not so abstract that you are left wallowing in a mire of contrary thoughts or guesses as to what the object might be about. If indeed you could be bothered. But enough shape and detail to leave you with a reasonable chance to surmise a story and purpose behind each figure. That is if you can find the time.
This was part of a major breakthrough project for a gallery in Burnham Market, Norfolk. Affectionately also known as ‘Little Chelsea’. A place that was renowned for second home-owners from Chelsea and wider London, enabling them to justify owning Land Rovers, Barbour Jackets and Dubarry Boots. Importantly, it was a place where money can be spent in exchange for quality and unique artwork.
Tom was producing ‘statement’ pieces of porcelain, designed to stimulate conversation. For people with larger homes where the piece could take centre stage, for example in an entrance hallway. The first thing that catches your eye, an ice breaker perhaps.
This limited edition series was entitled, The Allegory Collection, the first three pieces represented – The Tortoise and the Hare, Moby Dick and then Two Men on a Stage Pushing a Large Case. A second series of three were work in progress but would also follow similar themes of futility, hidden truth and obsessive pride.
Poppy and Henry were away for the weekend in their North Norfolk bolt hole. The idea was to relax but Hubert and Camomile were arguing again. About who knows what. So were the Labradoodles. And it was raining. Henry had, yet again, walked off swearing into his mobile. Poppy, her eyes wide open yet seemingly vacant, was on auto-pilot. Refereeing whilst really just wanting to update her socials with half-truths. In a moment of inspiration and to save her sanity she handed her children the dog leads and darted into a rather nice looking art gallery.
This was where Poppy first met Tom. Vicariously; for they were a few hundred miles apart. But in metaphorical terms, it could have been thousands. Like so many contemporary artists, Tom designed and crafted the negative space within a piece to tell as much of the story as the shape of the black glazed kaolin. In addition, all three subjects were comprised of two or three separate sections designed to fit together. Hence the use of hard porcelain, much more robust than bone china but requiring higher kiln temperatures.
Poppy’s attention was immediately drawn to a shiny black piece of pottery that would fit beautifully onto to a side table in their home in Tite Street, Chelsea. There was an explanation and a note from the artist next to the piece but there wasn’t time to read that. She knew what she liked and she liked this. It would be a perfect talking point for the party next month to celebrate the flotation of Henry’s company on the London Stock Exchange. The £7900 price tag would not be a problem. A credit card transaction was in progress when Henry burst into the gallery. The children had called a temporary truce but the dogs had both done their business just outside and Poppy had the poo bags.
The Land Rover’s diesel engine spluttered into life with black smoke bellowing out of the tail pipe. It was a resident of Norfolk. The journey back to London would be via the Lexus. Poppy at the wheel. Henry on his two phones sounding even more stressed. More noticeable was the absence of his Driver Instructor mode. The two children fully ear budded. Only the dogs engaged in occasional conversation. With each other.
Tom was on the early morning train from Manchester to London having paid an overnight visit to his girlfriend. Her mother had a luxurious and most enjoyable bathroom. Even though the contradiction exfoliated his off-grid pride. He was visiting Greg an old university buddy who now worked in the city for an investment company. He was hoping for some free pension advice and was feeling pretty smug as he’d just sold one of his ‘Allegory’ pieces. So he was £7k richer. Usually the bars around Sloane Square are a first port of call but on this trip Tom was a plus one to a party in Chelsea to celebrate something that, as yet, he didn’t really understand.
The red brick houses in Tite Street, Chelsea are impressive. Steps up to a front door that could easily accommodate a grand piano. A hallway that led to a fine dog legged staircase, well lit by a modern art deco chandelier. A small well lubricated crowd had clustered around a side table. A conversation in progress led by, soon to be introduced host, Poppy. Words like ‘interesting’, ‘novel’ and ‘what is it’ echoed around the hallway.
Tom was taken aback when he saw the subject of this discussion. ‘And what do you think this is about?’ asked Poppy. ‘Well, it could be a story of two people struggling with opposing views or lifestyles. The space between them is shaped like a case which contains that struggle. Your rather lovely table is perhaps the stage and we, the audience, are watching this story unfold. Perhaps substituting our own issues and struggles in that negative space’. Silence befell the hallway as jaws dropped. The audience looked at the porcelain and then looked into their own psyche.
A voice from the audience muttered, ‘sounds like one of those descriptions you see next to some of that so called art at the Tate. Makes me feel like a philistine’. Another voice retorted, ‘that’s because you are!’
Poppy, somewhat intoxicated, joined in, ‘I just bought this because I liked it but now I’ve searched my soul I don’t think I like it as much. You see, I’ve not seen much of Henry for months. Even when we went to Norfolk he was always on the phone. Not sure this floatation or whatever is worth it’. Another voice, ‘Well we’ve missed him on the golf course too but more than that, I’m not so sure about my bank’s position in this venture of Henry’s’. A few voices grumbled in agreement. Another voice bellowed, ‘You’re just a bunch of gutless wimps. We’ll make a killing’ . Henry, tucking his mobile phone into his pocket emerged from the ground floor study. Looking at the side table display, ‘Crikey, where did that come from’.
Poppy, now clearly in the process of losing her shit, ‘well that just sums it all up doesn’t it. You haven’t noticed. You haven’t noticed the kids or me or listened the doubts that many here have about your latest venture. Full of your own self-importance. And as, sorry, is it Tom, says it’s us struggling. And the, what was it, negative space. That’s the life we could have together. Well Henry, I don’t care for your totally obsessive version’
A different voice from the growing audience, ‘Well I’m confused. Is there any lobster left?’.
With that Poppy picked up the porcelain and threw it at Henry.
Tom grabbed a couple of canapes and slipped out of the mele and onto the street. There was a balmy late summer breeze. He began to think of electricity cables and water pipes and rang his girlfriend.
abou he author
Alan is a retired cop and civil servant. Both occupations reinforced an inherent cynical attitude which he endeavours to control by drinking coffee and realising things ain't so bad. Or are they?
Did you enjoy the story? Would you like to shout us a coffee? Half of what you pay goes to the author the other half goes to expenses e.g. Maintaining the web site and setting up The Best of Café Lit book each year.