Glyn knew that they talked about his wife. Not just the
houses immediately next door, but the ones either side of those too. And
further. It was what came of living in a cul-de-sac. Gossip swilled
back-and-forth, with no through-road.
She made it worse for herself, Joan, by staring out at the
children playing on the street; the six-year-old from number twelve and the
seven-year-old, with the three-year-old brother, from number seventeen. They
saw her peering from the edges of the curtains and they squealed and ran to
tell their parents.
He heard the kids talking in stage-whispers. The woman in
number fourteen, they said, has three baths a day. Her recycling is all empty
wine bottles. She eats spiders from the corner of the ceiling and snails from
the plant pots. The hoover stands in the hall all day, unused. The lights are
on at 3 am because darkness turns her into a creature with bat’s wings and
dragon’s breath.
The parents were initially kind. That was quite a few years
ago. They offered to do a shop, to save Glyn from going, and invited both of
them over for a drink on New Year’s Day. Soon, though, there’d been a note
through the door asking them to trim the front grass and then another
suggesting the name of a man who could clear the gutters.
‘We could move,’ Glyn suggested. ‘A bungalow, maybe?’
‘I’m not ready.’
‘Of course not, love.’
Part of him was relieved. A bungalow was best saved for retirement.
So he settled for calling the gutter-man and negotiating a fixed price that
included repainting the back fence and fixing the cracks in the driveway.
‘She’s still young,’ Edwina from number six said to him, one
evening as she took out her black bin bag. She’d also had notes through the
door, because she overstuffed the wheelie bin and often left loose bags at the
side. ‘You’re still young.’
‘Perhaps. We’ll have to see,’ Glyn said. ‘It’s Joan’s
choice.’
‘Shall I call in for her, in the daytime? For coffee,
maybe.’
‘I’ll ask her. Thank you.’
‘She has my phone number.’
The foxes would get at Edwina’s bins. There would be further
complaints, the council might even be called. She didn’t seem to mind, though.
Her house was at the curve of the street; she could see a slice of the main
road.
The Fultons, in number fifteen, moved out and the
teenagers were replaced with eight-year-old twins. The other kids migrated into
their garden. There was a climbing frame and a trampoline. They kept one eye on
Joan, at the window, and she was integrated into their games whenever there was
a call for a villain: wicked witch, spy, assassin, Prime Minister. It would
have been useless to explain that Joan was staring only at the bare, uneven
flowerbeds in her own garden.
It all got worse in Autumn. Not only the nights drawing in,
but also overactive imaginations at Halloween. No guiser called at number
fourteen. They knew they wouldn’t get any sweets, any chocolate.
Two days into November, Joan sat down at the kitchen table
and wrote a card. She sealed it, in a red envelope, before Glyn had the chance
to read it or even glimpse the message on the front. Later, when she was in the
bath, he opened the drawer beneath the kettle and found four other envelopes,
one for each year that had passed.
‘Love,’ he tried the next day, ‘would you like to try for a
job, maybe, or you could go back to studying? An exercise class, even…?’
‘I don’t need exercise, Glyn.’
‘It might help.’
‘You tell me I don’t eat enough...’
‘It’s not about weight.’
‘Quiet,’ she closed her eyes. ‘Please.’
The house deteriorated further. The quince bushes grew too
big and pushed through the fence into next door. The twins started to lob the
fruit up towards Joan’s window. The double-glazing rattled and she stepped
away.
In the utility room was a disorderly regiment of glass
bottles, upright among the chaos of cardboard and the towels which hadn’t made
it into the dryer. Glyn felt he could only leave out a few at a time, with the
recycling. One dark evening, he’d pile the rest of them into the quince bushes
or bury them at the edge of the grass.
The young boy, from number seventeen, was now an inquisitive
five. He ran lengths of the cul-de-sac in bare feet. As Glyn walked home, he
sprinted up behind.
‘You’re the man from that house,’ he said, pointing.
‘Yes.’
‘My sister says there are cameras. That you record us.’
Glyn spluttered. ‘We record…?’
‘She says you write down every move we make.’
‘Certainly not.’
He shrugged, ‘I’m too fast anyway.’
The boy turned and ran off. Glyn found that it took three
attempts to fit his key into the lock and when he tried to call Joan’s name
there was a quiver to his voice.
‘What is it?’ she called back.
‘We need to do something.’
‘Like what?’
Glyn walked into the hallway. He lifted the hoover and set
it back in its cupboard. Then he went to the kitchen and got a black bag from
beneath the sink. He shoved all of the bottles from the utility room in it,
then the cardboard and the mouldering towels. As he lifted the bag, there was a
noise like a window shattering.
Five years ago, he would have eased the front door open only
wide enough for him and the bag. He would have made sure it was closed behind.
There wasn’t much traffic in the cul-de-sac, but the cars sometimes swung
around the corner at quite a speed.
Glyn lifted the bag into the wheelie bin, the one for
general waste. He tipped the bin onto its wheels and walked it to the kerb.
Edwina was there, black bag in hand.
‘I never did hear from Joan,’ she said.
‘No, she still struggles.’
‘All of that though…’ Edwina avoided his eye. ‘Seems an
awful fuss to make over a wee dog.’
Glyn looked back at the houses behind them. The twins at
number fifteen were up at the window, looking out. The one from number twelve
was there too. She didn’t duck away like the others.
‘The question that torments Joan,’ Glyn said slowly, ‘is how
he got the chocolate? We should have been more careful.’
Edwina tied another knot in her black bag. ‘One of those
things,’ she said.
‘We should have taken better care of him.’
‘No one blames you,’ Edwina replied. ‘I shouldn’t think.’
About the author
Liam Bell is author of three novels, with the most recent
being Man at Sea. His debut novel was shortlisted for the
SMIT Scottish Book of the Year and he has featured as
Paperback of the Week in the Herald and at the 2014
Edinburgh International Book Festival. Short stories and
articles have appeared in publications including New
Writing Scotland, Litro and Northwords Now. He was born
in Orkney, grew up in Glasgow, and is now Senior Lecturer
at the University of Stirling, where he is Programme
Director of the MLitt in Creative Writing. He lives in
Scotland with his wife and two young daughters. More
information at www.liammurraybell.com or on twitter @liammurraybell.