Showing posts with label cafe latte. Show all posts
Showing posts with label cafe latte. Show all posts

Tuesday, 16 June 2026

Strawberry Fields Forever by : Jacqueline Chou, cafe latte

 


April 2020

“I can’t breathe.”

We are standing on the top step of an ugly old building overlooking Morningside Park.  It’s been our home since late February.  Even though it’s April, it still feels like winter—everything is damp and grey, with a chill that sinks into your bones.

“I can’t breathe I can’t breathe I can’t breathe.”

She says it as one sentence.

Even though my little girl is complaining about a lack of oxygen, I giggle. She looks so gosh darn cute. The surgical mask is covering most of her face, including what I know is a little nub of a nose, and rosebud lips.  But I can see her shiny brown eyes that are framed with long fluttery eyelashes that didn’t come from me, nor from that guy, Ace I-Will-Never-Know-His-Last-Name.  At least from what I can remember of him from that drunken night from another life ago.

I always wonder if either my father or mother had eyelashes like that.

Sara looks up at me and blinks.  Her bangs graze the tips of those eyelashes, and with each blink, her bangs bob up and down in agreement.  I’m smiling under my surgical mask.  Despite everything, the bounce of her bangs makes me happy.

“You can breathe enough, can’t you, Sweetheart?”

“No!”

“Are you sure?”

She doesn’t answer.

“Look, Sara.  Mommy’s wearing a mask, too.  I can breathe.  It’s uncomfortable, but I can breathe.”  Sara turns her head away.

“It won’t be long.  We’ll shop really fast.  We’ll be out of there in no time.”

More silence.

I brush away a frisson of Bad Mother Guilt and proceed with bribery.

“We’ll buy cookies.  Whatever kind of cookies you and Juju want.”

Sara considers this.

“Juju wants Chips Ahoy.  And Oreos.”

“I know Juju likes those.  They’re your favorites, too!”

I pat the sleeve of her puffy yellow winter coat.

“Come on, Sweetheart.  You, me and Juju will get those cookies.”

Sara takes my hand, and we proceed down the stairs.  I lead Sara carefully, mindful of the broken areas of the steps that could make us stumble and fall.

The Foodtown is only several blocks away, and I hold Sara’s hand tightly for the stretch along the park.  You can feel the unsafeness of the park, especially in the wake of that Columbia student who was murdered last year.  Still, I try to be mindful of walking slowly.  Some days I forget, and walk at my normal brisk pace.  This is too much for Sara’s four-year-old legs, and she will tug at my hand and tell me her legs hurt.

“I can’t breathe,” Sara repeats softly.  Her tone is less petulant now, because of the promise of cookies.

“It won’t take long; I promise.  I’ll shop as quickly as I can.  And you keep your mask on the whole time, okay? Promise Mommy?”

Sara is silent.

“Promise Mommy.”

“Juju isn’t wearing a mask.” Her tone is matter-of-fact.

Imaginary people are funny like that, I think to myself.

“Juju must have an extraordinary immune system.”

Sara doesn’t know what to say to that, thank goodness.

We enter the supermarket.  Sara watches as I disentangle a cart from the queue.  She waits as I pull out a folded paper towel from my handbag, and a small bottle of 90% isopropyl alcohol.   I wipe down the kiddie seat, and the handle bar of the cart, then I lift Sara up and put her in place.

“Good girl,” I murmur.  “Try not to touch anything.”

True to my word, I shop as quickly as possible.  Zipping through the aisles.  The no-name brands of the cookies that I had promised.  Frozen spinach.  Cans of soup.  Not Campell’s, the cheaper brand that was on sale.  Ground beef.  The no-name brand of Hamburger Helper.  Each item added to our cart raises my anxiety.  The $78 in my wallet has to last until next Thursday.

But I need eggs and fish.  And nuts.  Dr. Ahmed said that proper nutrition can help slow the progression.  Diet can help a lot, he said.  I hesitate, then go to the canned fish section and buy two cans of tuna.  Chunk light, not solid white.  Foodtown brand peanut butter.

In just over half an hour, Sara and I are back at the front of our building.  The knapsack on my back is heavy with groceries.  We walk up the front steps, and once inside the vestibule, Sara whimpers through her mask.  She knows that I won’t let us take the elevator.  Not since the pandemic began.

Six flights of stairs is a lot for a little girl.

“I know, Sweetie.  We’ll take it slow.  And after dinner, you and Juju can have cookies.”

* * *

That night, I get Sara ready for bed.  I sit on the toilet, which slides because of the broken hinge, and watch Sara brush her teeth.  Standing on her pink plastic stool, she leans forward and spits into the sink.  Her right hand is pressed against the sink’s rim.  Her hands still have a baby chubbiness to them, dimples on the back, at the base of each finger.

As we walk from the bathroom toward her bedroom:

“Mommy, can I have a flashlight?”

“A flashlight? What for?”

“To bring to bed with me.  I need to have one, too.”

“What do you mean, ‘too’? I don’t bring a flashlight to bed with me.”

“Not you, Mommy.  Juju.”

“Juju has a flashlight?”

Sara nods and stops at the threshold of her bedroom door.  Apparently bedtime would not proceed until this flashlight matter was settled.

“Why does Juju have a flashlight?”

“To stan-gar.”

It took me a moment.

“To stand guard?”

Sara nodded.

I don’t bother asking what Juju stands guard against.

“I don’t know if I packed any flashlights.” There were still two moving boxes in the living room, shoved into the corner by the window with the broken glass.

“How about I tuck you in, and I’ll go look for a flashlight?”

Sara agrees to my terms.

For all the faults of their apartment—the old kitchen linoleum that curled up at the edges, the rust-stained bathtub with the rotting grout, and the faucet that leaked—it was spacious, half a floor-through.  The hall from the bedrooms was so long, it felt like a railroad apartment. 

As I started down that hall, twinkles of light float before me.  They blink, drift, then fade out.  It was happening again, and with it, fear flooded my stomach.

 “Mommy? Are you looking for the flashlight?”

“Yes, baby.  I’m going to look right now.”

If I were Bobby, perhaps I would reflect upon the irony, the symmetry of looking for a flashlight while seeing flashes of light before my eyes.  But I’m not a poet or musician like Bobby.  I’m a single mother who was laid off last month, is living from unemployment check to unemployment check and was just diagnosed with an illness that scares the shit out of me.

There’s nothing for me to wax poetic about.  I just need to grit my teeth and focus on what I need to do.  And right now I need find a fucking flashlight.  I try to ignore the twinkles of light and the roiling in my stomach, and proceed to the two boxes in the living room.  In thick red marker, one box is labelled “Tools;” the other, “Miscellany.”  What a useless thing to label a box.  I don’t know what I was thinking.

I open the box:  plastic trays, stacked with old bills and pay stubs.  On top of that are some framed pictures—Bobby, Sara and me.  The biggest one was the photo that Bobby gave to me on Valentine’s Day last year.  A photo of us in Fresh Meadows Park.  He’s hugging me and kissing the top of my hair.  His jagged handwriting scratches across the bottom: “I love you, Figgie.”

I should have just left the pictures at Kew Gardens.  To make it seem like I didn’t care.

Now it’s Rina, the new backup singer in his band, that he kisses.  It’s her that he now spends slow Sunday afternoons in bed, smoking weed, and having sex.  And a song will pop into his head.  Bobby will roll over to reach his phone on the nightstand, and then pull up whatever old rock song is beckoning to be heard.  The music will start playing, and Bobby will roll back over to face her.  And then, in their nakedness and limbs intertwined, they will listen to the music together, Bobby savoring the lyrics like sweet nectar.

He knew me better than anyone.  He’s the only person that I ever told about Miss Desiree Dameron.  She was the only foster mother that was ever nice to me.  He knows that she was old and bony and skinny, but still somehow gave the best hugs in the world, and that her teeth clicked as she talked.  I now know she had dentures but when I was five, I just liked it because I thought she talked like a puppet.

He knows that I had asked Miss Desiree, “Why do you call me ‘Figgie”? My name is Frances.  And Miss Desiree said, “‘Cause you jus’ look like a ‘Figgie’ to me,” and she wrapped her arms around me and squeezed me hard.

What Bobby knows doesn’t matter anymore.

And there’s no flashlight in the “Miscellany” box.

I go back to Sara’s room to give her the bad news.  I reach her doorway, and see she is sitting up in bed, expectantly.  The Snoopy lamp is on the floor.  It’s a nightstand lamp, but since we don’t have a nightstand, on the floor it goes.  The light casts funny shadows on her round cheeks.

“Did you find the flashlight?”

“Sorry, Sweetie.  I looked.  We don’t have one.”

“I need a flashlight.  Juju has one, and I want one, too.”

“We don’t have one, Sweetie.”  Isn’t it enough that your imaginary friend has an imaginary flashlight?

“Isn’t it enough that Juju has one?”

“I want to have one, too.  We both have to stan-gar.”

That stand guard thing again.

“What are you standing guard against?”

Monsters in the closet.”

“Sara, there aren’t any monsters in the closet.”

“Yes, there are!”

“Sweetie, no, I don’t think so.”

“There are!”

I enter her room and go to the closet.  It creaks as I open its door.  The shelf is bare, and a couple of wire coat hangers hang on the rod.  I open the door wide and show her, gesturing with my hand.

“See! No monsters in there.

“They’re there! They’re big and hairy!  They have big teeth and big nails!”

“Big claws?”

“Yes! Big calls!” She hasn’t mastered that “w” sound yet.

“Baby, I promise you, there are no monsters in the closet.  Look.  I don’t see any monsters.  Do you see any monsters?”

“You can’t see them, but they’re there!” she insists.  “They’re there!  Like Cow-Bed!”

My head jolts and I turn to look at her.

“Covid?”

“Yes!” She is wailing, close to tears.  “You don’t see Cow-Bed, but it’s there.”

I’m stunned.

Did I traumatize her about Covid? Have I been frantic and terrified, making her feel that way, too?

Or

Was fear of monsters in the closet just something that four-year-old girls go through?

Why did Bobby fall out of love with me and fall in love with Rina?

Did either my mother or father have retinitis pigmentosa? Did either of them go blind?

Am I going to go blind?  How far will it progress?

I don’t know I don’t know I don’t know.

I hurry over to my little girl.  I sit alongside her on the mattress and hug her.

“Do you want to sleep with Mommy tonight?”

“I’m a big girl now, and have a big girl room.  And Mommy and Bobby have a room.”

I flinch.

“It’s just Mommy’s room now,” I remind her.

I think about the now-$41 and change that is in my wallet, which has to last until next Thursday.

Nonetheless, I say,  “We’ll go buy a flashlight tomorrow, okay?  I promise.”  I think I saw a 99 Cent store, a couple of blocks away.  Maybe we can get a cheap one there.

In my arms, I feel Sara’s head nod.  She sniffs, recovering from the beginning of tears.

“Tomorrow,” she agrees.

***

It’s raining, but Sara hasn’t forgotten my promise.  I put on her rain hat, and her mask, and we bring a big umbrella to cover us both.

There is a 99 Cent store, exactly where I thought, on Columbus and 105th.  They have a small selection of flashlights.  The big ones are $8.99, and the small ones are $3.99.  I convince Sara that the small one is good enough, because its handle is red, and Closet Monsters are afraid of the color red.  I buy some no name batteries that will probably expire in under an hour for $1.50.

Sara is happy now.  She wants to carry the flashlight herself.  I’m holding one of her hands, and the little white plastic bag with the flashlight is in her other.  She doesn’t complain once about the surgical mask.  She doesn’t even complain about the walk up the six flights of stairs.

We make a game of it: one flight up, then turn the flashlight on.  She holds the flashlight beam to project on the wall, and I form my hands into a shadow puppet of a dog.  My hands are pressed together in a sideways position, thumbs fanned out and pointing up, as dog’s ears.  I lower my pinkies in unison to make the dog talk.

“Ruff, ruff, ruff!”

Sara’s eyes crinkle up.  I know she is beaming under her mask.  “Me now!”

“Next floor, Sweetie.  We’ll go up one more flight and then I’ll hold the light for you.”

When it’s my turn again, I try to think of something new for the dog to say.

 “Ruff ruff! We’re safe now, Sara! We’re going to keep all the Closet Monsters away!”

Sara looks up at me, her eyes alight.

“You see, Mommy!”

Several more rounds and we are finally at the top floor.

There is a dripping sound.  Several feet away from the door of our apartment is the metal staircase that leads to the roof.  Water is leaking from the top of the roof door, onto the metal steps.

I wonder what the roof is like.  I feel Sara staring at me as I gaze at that door.

“I wonder if that door is locked.” I’m speaking more to myself than to Sara.

Then I decide.  “Sara, stay here.  I want to see if that door is open.”

“I come too, Mommy.”

“Let me check the stairs first.  I want to see if they’re slippery.”  Sara pulls off her mask, and waits as I test each step, sliding my foot over each one.  The metal has a bumpy grid pattern, and isn’t slippery, despite being wet from rain.

“Okay, Sara.  It’s okay.” Then I give the door an experimental push.

Like a gift, the door yields.  I peek my head out.

Then, a second gift presents itself: the roof is in surprisingly decent condition: the floor consists of large, flat slabs of concrete, mostly unbroken.  More than sufficiently walkable.

“Sara, come see.”

I push the door all the way open, flooding us with daylight, to an expanse of roof and endless sky.

The rain has stopped.  Sara is at the bottom of the stairs, looking up with wonderment.

“Come up, Sara.”

We enter the roof, Sara right behind me.  The clouds are dissipating.  The sun hasn’t come out, but the sky is bright.  The air is sweet and clean, that just-after-the-rain smell.

I inhale deeply.

“Juju said it smells like God.”

I look at Sara.  I’ve never mentioned God to her.  Ever.

“Is that what God smells like--the air just after the rain?”

“Sometimes.”

Just then, a memory pushes its way to my consciousness.

“I’m not crazy about that song.  I don’t get that song.”

“Strawberry Fields? You don’t like Strawberry Fields?” Bobby was incredulous.

“His voice is so nasal and drone-y in that song, and the lyrics don’t make any sense.  And fields of strawberries?  That’s so corny.

Strawberry Fields was the name of an orphanage near John Lennon’s home as a kid.  He had a miserable childhood, and the orphanage looked all dark and dreary on the outside, with a big ugly gate around it.  But he used to climb over the gate, and inside Strawberry Fields there were gardens and wildflowers and the orphans to play with.  He was happy there.”

“Living is easy with eyes closed.”  John Lennon is singing in my head.  I can hear him so clearly.

“I don’t think that’s true at all,” I say aloud.

There are things we need to see and know, I think to myself.  I need to see my birth mother and father.  I wouldn’t even ask why they didn’t love me.  I wouldn’t ask why they abandoned me.  I swear.

I just want to know if they still have their eyesight.

Fear and grief still churn inside me, but this rooftop, the rain-washed air and infinite sky comfort me.  And then Miss Desiree flashes in my mind.  She’s in her housecoat and slippers, and she’s heading for the fridge.  She is limping, moving slowly because her arthritis acting up badly.  Still, she proceeds with making pancakes for me and the other foster kids.  Miss Desiree is muttering to herself in a low tone, but I can hear her.  “Alls I gots to do is the task just before me.”

This roof could be our Strawberry Field, I think.

Sara’s and mine.

My gaze turns to my little girl.  She’s engaged in an animated conversation with Juju.

I poke her shoulder.

“Maybe we could plant flowers up here.” 



J

About the author

Jacqueline Chou is a short story writer in New York City. Her work has been published by Dark Lane, Piker Press, Dark Moon, A Thin Slice of Anxiety, Freedom Fiction, Bristol Noir, BULL and House of Long Shadows. She is currently working on a collection acqueline Chou is a short story writer in New York City. Her work has been published by Dark Lane, Piker Press, Dark Moon, A Thin Slice of Anxiety, Freedom Fiction, Bristol Noir, BULL and House of Long Shadows. She is currently working on a collection of short stories.of short stories.  

 


Thursday, 13 February 2025

The Last Train Home by Fendy Satria Tulodo, Café Latte

 

by Fendy Satria Tulodo


Café Latte

There was something magical about the last train that left Malang each night. It wasn’t the fastest, nor the most luxurious, but it carried stories of home and hope. And for Hana, that was enough.

She waited by the platform, watching the neon lights flicker above her. The train wasn’t due yet, but she felt the chill of the night creeping into her bones. She pulled her jacket tighter and glanced at the small paper bag in her hand—inside, a piece of her heart was carefully wrapped.

Hana had grown up in the small village near Tumpang, just outside of Malang, where time seemed to move slower than in the city. There, people still greeted each other by name, and the rhythm of daily life followed the rise and fall of the sun.

It was a life she had left behind a few years ago when she moved to the city to chase dreams that didn’t quite fit. But tonight, she was heading back.

Her phone buzzed, a message from her brother: “We’ll wait for you, sis. Mama’s waiting too.”

She smiled and let out a breath. The feeling of returning home after so long was both comforting and strange. The city had changed her in ways she wasn’t sure she was ready to admit.

She wasn’t the same girl who had once run barefoot through the rice paddies near their house, her laughter ringing out under the hot Malang sun. Those carefree days felt like another lifetime. And yet, as the last train to Tumpang approached, Hana felt that pull again, the one that had always called her back to the village, no matter how far she traveled.

The train arrived with a hiss of steam, and Hana stepped on, looking for an empty seat. The compartments were crowded, mostly with tired office workers, students, and a few quiet families making their way home. As the train started moving, she settled into her seat, trying to ignore the familiar knot in her stomach.

She had left her family behind to pursue her career in the city—her mother, always proud but always worried; her brother, who had taken over their father’s small shop; and her younger sister, who had just started high school. Every visit back home felt like she was stepping into another world. They had stayed the same, while she had changed.

As the train rattled on, Hana looked out the window at the darkening landscape. The city lights faded behind her, and soon, all that could be seen were stretches of farmland and occasional clusters of houses. The farther she went, the more her heart seemed to quiet. The city was fast, noisy, and unforgiving, but here, it was peaceful. The air smelled different too, like damp earth and the sweetness of blooming jasmine from the roadside.

The train chugged along, its rhythmic sound a comfort. Hana closed her eyes for a moment, imagining the quiet nights she had left behind in the village. Her mother’s warm cooking, the sound of her father’s voice calling her in for dinner, the low murmur of the radio playing in the background as they gathered together in the small living room.

A slight jolt woke her from her thoughts. The train had slowed, and the lights overhead flickered.

"Must be an electrical issue," a man sitting across from her muttered under his breath. Hana nodded but said nothing. She was used to these minor delays on the journey home. It wasn’t unusual for the last train of the night to experience some hiccups. The route, while charming, wasn’t always well-maintained.

Minutes passed, but the train didn’t start moving again. The buzz of murmuring voices around her increased as passengers began to look out the windows or ask one another what was going on. Hana felt an uneasy stir in her stomach. She had been on this train countless times, but this wasn’t like the usual delays.

A few minutes later, the train lurched again, much more violently. People gasped, and the lights flickered out, leaving the train in almost complete darkness. The only sounds were the nervous shuffle of feet and the soft click of fingers against mobile phone screens as passengers tried to light their way.

“Stay calm,” a voice came over the loudspeaker. It was the conductor, but the usual reassuring tone in his voice was gone. “We’ve had a little detour. Please remain seated.”

A detour? Hana’s heart skipped a beat. The last train had always been reliable, but this was something different. She looked out the window but saw nothing but blackness. Not even the distant lights of the city could be seen.

“What’s going on?” the man across from her asked. His voice trembled slightly, betraying his calm exterior.

“I don’t know,” Hana replied, glancing nervously at the other passengers. “Maybe a technical issue?”

“No,” he said slowly, shaking his head. “This doesn’t feel right.”

There was a pause, and then he added, “You know, some people say that the last train is cursed. They say it takes you where you’re meant to go, not where you want to be.”

Hana frowned. She’d heard the rumors, of course. Everyone in the village had their stories about the last train—the whispers of people vanishing on it, only to return years later as shadows of themselves. But those were just stories, weren’t they?

But the unease in the air was palpable. It felt like the night had grown heavier, the kind of silence that seemed to stretch on forever.

“Where do you think we are?” Hana asked, her voice barely a whisper. The man across from her looked out the window again, his expression unreadable.

“I don’t know. But something’s off.”

After what felt like an eternity, the train started moving again. The screech of the wheels against the tracks was jarring in the stillness, and the lights flickered back to life. Hana let out a breath, though her heart was still racing. But when she looked out the window, the view had changed.

Instead of the familiar stretch of farmland, she saw only a field of tall, swaying grass in the moonlight. There were no lights in the distance, no sign of a village or a town. Just the empty, shadowy landscape stretching out before them.

The train’s rhythmic clatter had slowed as it came to a stop. Hana’s pulse quickened, and she stood, her legs unsteady.

“Excuse me,” she called to the conductor, who was moving down the aisle, “where are we? This isn’t the usual route.”

The conductor turned to her with a strained smile. “We’ve had to make a detour. Don’t worry, we’ll be on our way soon.”

Hana opened her mouth to ask more, but before she could, the man sitting across from her stood up and walked toward the door. His jacket was wrinkled, and his face had a worn, tired look that didn’t belong to someone who should be on this train. There was something odd about him, something that didn’t sit right. He paused near Hana as if hesitating.

“You’ll never really reach home if you keep running away from it,” he said, his voice barely audible over the murmurs of the other passengers. He looked her in the eye, and then he walked out of the compartment, disappearing into the dimly lit hallway.

Hana stood there, her mind racing. She had heard those words before, but they didn’t come from a memory. They were spoken to her. By him. She didn’t know how, but somehow, those words felt more like a question than advice. Was she running away from home? From her family, from herself?

The train slowly started moving again, but the sense of unease lingered in the air. The soft thud of her heart echoed in her ears as Hana sank back into her seat. She hadn’t realized how tightly she was gripping the paper bag in her lap, the one with her mother’s handmade cookies inside. With trembling hands, she opened it, taking one of the cookies.

It was sweet, the way her mother always made them—soft and warm, with a hint of cinnamon. As she chewed, a wave of homesickness hit her. The taste of her mother’s love, the quiet nights, and the smell of jasmine in the air, it all seemed so far away now. She closed her eyes, the weight of the past and the present pressing down on her chest.

The landscape outside the window had started to change again, and soon, they were entering the familiar outskirts of Malang. The buildings, the traffic lights, and the sounds of the city were slowly coming back into focus. But Hana felt different, like the time she had spent away had shifted something inside her.

By the time the train reached Tumpang, the sun was beginning to rise. The sky was painted in soft shades of pink and orange, and the air smelled fresh, like rain on dry earth.

Hana stepped off the train, her heart lighter but still heavy with questions. The village looked the same—familiar faces, the same small shops lining the streets, the smell of fried tempeh and nasi goreng wafting from nearby food carts. But she wasn’t the same. She wasn’t sure she would ever be the same again.

Her family was waiting for her by the platform. Her brother grinned, holding out his arms in a welcome. “Welcome home, sis,” he said, his voice warm and familiar.

Hana smiled back, feeling tears prick her eyes. It was home. But was it where she belonged anymore?

As she walked toward them, she felt it—a soft whisper in the wind. Sometimes, the journey was the answer. And maybe, just maybe, this was the place where she was always meant to be.

 

About the author

Fendy is a writer and creative professional based in Malang, Indonesia. With a background in automotive sales and strategic communication, he crafts stories that explore human connection and emotional journeys. His work blends local culture with universal themes, delivering narratives that resonate with readers.


Tuesday, 17 September 2024

Hidden Motive by Dave Dempster,cafe latte

 

“Come on, Mum. Pick it up. Please pick it up. It’s just ringing out. That’s the second day.

Something’s wrong. I’ll have to go round there.”

“Try not to worry, Jess. There’s bound to be a simple explanation.” Harry tried to reassure his

wife.

“She always answers at this time of day. Something’s definitely wrong. Her friend Jenny

hasn’t heard from her, and they were supposed to meet last Thursday. I must go round there now.

Can you watch the kids for a while?” Harry would reluctantly hold the fort, hoping that his Saturday

lunchtime tee-off would still be available.

When Jessica’s knock at her mother’s door went unanswered, she tried to look through the

living room curtains, which were drawn, ominously. Out of the corner of her eye Jessica spotted the

next door neighbour heading for his garage. “Excuse me. Have you seen my mother? She’s not

answering the door.”

The neighbour hesitated. “Come to think of it. I haven’t seen her for a few days. Sorry, I have

to dash.” Jessica’s fears were reaching a crescendo. She hoped the Police wouldn’t give her a telling

off, but this was serious.

Luckily for Jessica, the young constable was understanding and very helpful. He went as far

as apologising for forcing the front door the following Monday morning, although Jessica had made

the request. They found no trace of Jessica’s mother and were about to leave, when something

about the living room carpet caught Jessica’s attention. She bent down. “What’s that?”

The constable’s reply had a shocking effect. “Looks like blood, I’m afraid, and the coffee table’s

been moved.” Jessica saw the exposed impression in the carpet where one of the legs had been. “I

must treat the area as a crime scene now. Can I just check your details, so we can keep in touch?”

Jessica’s world became darker as the Police investigation progressed. Jessica’s mother’s bank

account hadn’t been touched. Her car hadn’t left the garage. And still her family and friends hadn’t

heard anything. The preliminary forensic findings at the house were alarming. A small area of blood

had been found near the coffee table in the living room and there were tiny spots of blood on one of

the coffee table legs. The police had taken Jessica’s mother’s toothbrush and hairbrush. Jessica had

not given up hope.

Then Jessica received the call she had been dreading. When the Police Family Liaison Officer

told Jessica, as sympathetically as she could, that there was no good news, and asked her to come to

the police station with her husband Harry, Jessica burst into tears. The blood found in the living

room was Jessica’s mother’s blood. The blood pattern ruled out accident. Jessica’s mother had been

attacked. There had been no ransom note to indicate mere abduction. The police were now

conducting a murder investigation.

“It’s always the worst part of the job, telling the family.”

“Yeah”, sighed DS Mark Miller. He and DI Larry Jenkins had worked side by side in the

Norfolk Homicide Squad based in Norwich for more than five years. Despite their experience it was

always heart-rending to witness the grief of loved ones at first hand. By way of consolation, it drove

them to work harder to catch the culprit. There was always the possibility that Jessica’s mother would

suddenly reappear, but the police knew the chances were fanciful in the extreme.

The detectives understood that with no body and no murder weapon, only the strongest

circumstantial evidence would suffice, assuming even then that the Crown Prosecution Service was

satisfied there was enough to proceed.

Some reasonable deductions could be made though. Without additional traces of blood,

and no ballistics indicators, the most likely cause of death was strangulation. The pathologist

thought it reasonable to suppose that the deceased woman collided with the coffee table on her

way down. On the plus side, entry had not been forced. Jessica’s mother knew her killer.

         Significantly, the killer must have had access to the back door key, because Jessica knew that her

mother, who lived alone, was always careful to keep her back door locked. Forensics established

that the deceased had been wrapped in bed-clothing missing from a bedroom, before being carried

and dragged through the back door to the gate at the rear of the garden. The back door was then

locked from the outside and the key thrown into a flowerbed. The killer had worn gloves. Not a

single fingerprint could be found. Obviously, the body must have been loaded into a vehicle and

driven off.

The time of death could be narrowed to a span of a few days, from the time Jessica’s mother

was last seen alive, to the time she failed to answer Jessica’s first phone call. However, the most

thorough door knocking and CCTV retrieval produced only disappointment. If only a vehicle had

been noticed near to the rear of the property!  Realistically, there were only two persons of interest

– the deceased’s estranged husband and her boyfriend, Andrew Birmingham. Police soon learned

that one suspect had no motive and the other had every motive.

The boyfriend seemed to have adored Jessica’s mother. He had no motive and was quickly

ruled out. By contrast, Jessica’s mother had had a very unhappy marriage by all accounts. Even after

the separation, her husband bitterly resented any claim she made to share in his considerable

wealth. In short, he hated her. When a tearful Jessica had been asked if she knew of anyone who

might wish her mother harm, Jessica nominated her stepfather without hesitation.

 Digging further, Inspector Jenkins established that the prolonged and acrimonious divorce

process had reached the point where, had Jessica’s mother not been murdered, her husband would

have been forced to sell his large house to settle with Jessica’s mother. The interior of the husband’s

Range Rover had plainly not been cleaned for a very long time. Would the killer not have taken every

precaution and cleaned his vehicle meticulously? In any event, the vehicle was subjected to the most

rigorous forensic testing. Every inch was examined and re-examined. Results were double checked,

and, in some cases, even triple checked. There was simply no trace.

The Police kept watching and waiting but after another four months the case had gone cold. 

The two detectives shared the pain over a beer. “We’ve done our best. I’m sure we haven’t

missed anything, Mark, but it’s always a grind when one gets away.”

“Yeah, Larry. I hate it, letting the family down, but we must move on. Can’t afford to dwell on

it. I’ll get the next round.”

It was nearly a year after her mother’s disappearance. Jessica began in her usual self-effacing

way. “I’m sorry to bother you, but I thought you should have this. Just in case it might mean

something.” With that, she handed over a few sheets of paper. “That’s my mother’s handwriting. I

found this when I was going through her things the other day. The figures and the notes about ‘he

this’ and ‘he that’ don’t make sense to me.”

“I’ve seen that figure at the top, £63,000, somewhere before”, pondered DS Miller, as Jessica

left the office. “And those £5,000 entries, I’ll check if they match her bank records.”

Things were beginning to fall into place. The boyfriend had indeed been generous, making

four deposits of £5,000 into his lover’s bank account in the month before she disappeared. Unusual,

perhaps, but nothing untoward, thought the sergeant. But that figure of £63,000 was bothering him

And it kept bothering him. A few days later the eureka moment happened.

“Remember that inside job at Baker’s? How much went missing?”

DS Paul Butcher of the Fraud Squad was on the other end of the line. “Hang on, Mark. I’ll just

be a minute. “Are you still there, Mark? Yeah, here it is. £63,104.”

“Thanks, Paul. Just one more question. An Andrew Birmingham worked there. Did you look

at him?”

“You bet. He was the main guy, the in-house accountant. He was the closest we got, but we

couldn’t make it stick, and the company wrote it off.”

It was just enough to get a warrant. Why is it that guilty souls always keep some kind of

trophy?  Inspector Jenkins was reminded of the notion when the search of the boyfriend’s home

uncovered a photo of Jessica’s mother in a bedside drawer. Hardly an ordinary photo. A telling

feature stood out. Pound signs had been scrawled all over her face. This was encouraging but far

short of the sort of evidence acceptable to the Crown Prosecution Service, of course.

The boyfriend had told police earlier that his car had been under repair in a local garage

around the time of Jessica’s mother’s disappearance. That had checked out. The boyfriend had also

explained earlier that, without his car, he had walked to his work at Baker’s, although it was quite a 

distance, as part of a fitness drive. Further enquiries would now be made at Baker’s.

“That’s it, he’s lied to us! According to the office manager, Birmingham used his father’s mini

traveller at Baker’s, when his own car was being repaired. It’ll be delicate approaching his father but

that’s the next step.” Encouraged, Inspector Jenkins felt they were closing in.

“I thought you people had finished with him at Baker’s.” Birmingham’s dad sounded

irritated, but he went on to confirm that he had indeed lent his car to his son from the Wednesday

night before the disappearance. “Won’t forget that in a hurry. He promised he would only need it for

a few short trips but he used more than half a bloody tank!” Mr Birmingham senior was less than

pleased again, when, armed with the necessary warrant, police removed his beloved car for forensic

examination.

Thankfully, the boyfriend had been unable to remove all traces from the inside of his father’s

car. Faced with all the evidence, and some skilful questioning, the boyfriend eventually came clean.

He was remorseful enough to lead police to the place of burial.

Jessica had trouble coming to terms with it all. The boyfriend had trusted her mother with his

stealing secret, but in return she had chosen to blackmail him - and paid the highest price.

About the author

 Dave Dempster is a retired lawyer, who practised in Scotland and Western Australia. He has been published in JONAH magazine and has had two of his detective crime short stories accepted for print anthologies. 
 
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