Big Wheels
After the NATO conference, the German major invited us to have lunch at the Bismarck downtown. All of us had tired of the kasino fare and were open to suggestions.
“Believe me, this place is different,” he told us. “At night,” he cautioned, “it’s a gay nightclub. But,” he held his hand up like a symphony conductor, “the lunch is fantastic. Largest wine list in the city. One thing about gays, they know their vintages.”
We climbed into his classic Mercedes, a humpbacked whale of a car right out of old gangster movies. It was two o’clock, and there was little traffic. It was a brilliant afternoon. Glass office towers gleamed. Everything in the city was clean, new, and precise – almost to the point of being unreal.
The car nosed around a corner and drove down a winding street. The hood ornament resembled a gun sight, guiding us through the cobbled alley jammed with battered Fiats and VW’s. The tires thudded on the worn stones. Pre-war Bronx-ugly tenements crowded the narrow streets. Old taverns stood on the corners, dark medieval-looking places with mullioned windows and sway-backed roofs. We were in the old part of the city, a few acres the Eighth Air Force had missed in 1944.
We sped past dancing children and turned into a wide square. The Bismarck was a massive cream monument topping a small knoll. Gleaming in the sun, it resembled a wedding cake decorated with glazed columns and lacy scrollwork. We parked in front and climbed the smooth marble steps leading to immense chrome and glass doors. The entrance was all mirrors, movie posters, and dried flowers. In the center, a larger-than-life statue of David towered above a fountain, well-muscled and overly endowed.
A white-jacketed host led us to the main dining room beneath a dome supported by gilt columns. Sunbeams blazed through circular windows, filling the hall with light that danced on our silverware.
The major ordered, insisting we try the house special. “It’s fun. A real adventure. Salad to start. Then eight cheeses and eight wines served with histories printed on little cards. It’s a guessing game!” He patted his flat stomach. “It kills the diet, but it’s worth it. Put in an extra half hour in the gym tomorrow. You have to live, right?”
Our waiter, a sleek Italian youth, darted around us with ballet grace. Salad arrived on chilled plates and was presented with royal flourishes. The waiter carried the ornate pepper mill like an acolyte bearing a censer, twisting it over our salads with powerful delicacy. Bricks of cheese followed on wooden tablets. Wine came in communion trays. We tasted the first round.
“It’s a Mosel,” Dubinski suggested.
The major flipped the card over. “Correct. And the cheese?”
“It reminds me of mozzarella but firmer, with more flavor.”
My years in Wisconsin have made me something of an expert on cheese. “Danish Harvarti,” I said.
I got most of the cheeses right. I was dead wrong on all the wines. I can’t tell Chablis from Rhine. But I recognized Blue Nun when I tasted it and ordered a bottle from our waiter.
I got high. I stopped nibbling on cheese because all the white and yellow cubes began to taste like Blue Nun. Instead, I read the stack of little cards. I couldn’t concentrate on the Fraktur script histories of rivers, regions, and vintages. Something in the club distracted me. I looked up at the dome over us. No doubt the building had been bombed and shelled during the war. It could have been restored and remodeled three or four times. Something in the columns intrigued me. The bar was set on a raised platform, a dais in an alcove that might have been an altar at one time. The ceiling bore an unusual fixture as if something had hung there. Boyhood memories were coming back . . . after school lessons with bearded, hatted men, the sing-song incantations, ancient texts. . . I turned and asked the German officer next to me, a city native.
“Yes. . . ” he answered, hesitating, “. . . before the war, in the old days, it used to be a synagogue.”
I nodded and drank Blue Nun. At the bar two blond youths in leather jackets and boots were drinking beer from foaming steins, exchanging sexual glances.
“Did you see the job that M60 did on that streetcar downtown?” Dubinksi asked, his eyes glowing.
Two months before, an enlisted man, for reasons unknown, stole a tank and lumbered through the city business district, crashing into parked cars and knocking over kiosks. Flattened Audis and BMWs attested to the power of NATO armor. The story is popular and generally leads to drunk driving jokes. Nobody seems to recall that the soldier’s last act was driving off a bridge and drowning in the Rhine.
Everyone laughed.
“It’s still a good tank. Only we need two thousand more at least.”
The German major grew serious. “What we really need is an adequate supply of spare parts and a smooth system of distribution. Standardization, supply, organization – those are the key to any sustained conflict. It’s not so easy when every nation’s army in the alliance has to support its country’s defense industry. You drive Chryslers. The Italians have to have Fiats. I see the Greeks are buying tanks from Spain. Supplying parts in a war will be hell.”
“What I want to know,” Dubinski asked, “is why Germans put those monstrous wheels on everything that moves. Armored cars, weapons carriers, personnel carriers, scout cars. Their wheels are always as high as a house.”
“It’s simple . . . einfach . . .” The German major smiled. “We learn our lessons. The next time we move east, we won’t get stuck in the mud. Prosit!”
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About the author
Mark Connelly was born in Philadelphia and grew up in New Jersey. He attended the University of Wisconsin-Milwaukee, where he received an MA in Creative Writing and a Ph.D. in English. His non-fiction books include The Diminished Self: Orwell and the
Loss of Freedom, Orwell and Gissing, The IRA on Film and Television, and The Group Theatre: An Enduring Legacy. His fiction has appeared in Bristol Noir, The Berlin Review, Mobius Blvd., The Brussels Review, and Bristol Futurist. In 2005 Texas Review Press
published his novella Fifteen Minutes, which received the Clay Reynolds Award.
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