Monday 21 October 2024

The Envelope by Liz Potter, white americano

It’s not as if you were close growing up.

Mum will be disappointed though if you don’t attend with all the other relatives.   You’ve explained that you’d agreed to go with a friend to an art exhibition in Germany and it might be that weekend.    Mum thinks family comes first though.

Frankly you just don’t want to go to the wedding.   So you’ve written to turn down the gilt-edged invitation, and all you have to do now is post it.

You can smell the freshly-laid tarmac as soon as you open the front door.  You’d forgotten about the roadworks: you’ll have to go the long way round.   Maybe you should post it tomorrow?        You’ve put your coat on now.   Except there aren’t any gloves…

Just go and do it.

The contractors’ fencing is still up, cold and hard when you brush against it.   You can hear the traffic on the main road, the beat of car music systems overloud in the night air.   There’s going to be a disco according to your cousin.   She wrote a note on the back of the invitation saying she hoped I’d be able to come.   

Are you ever going to get to the postbox?   As well the tarmacing, there now seem to be some excavations along the pavement.   The barriers here have lights warning of the yawning chasms below.

It was a handwritten note, in posh biro, and looked sincere…

Your foot catches on a tree root, and you pitch forward, grabbing at the barrier.   The envelope falls out of your hand and spirals down into the void.

So now you’re back at square one.

About the author

Keen writer since primary school days, and still waiting for that breakthrough.

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Sunday 20 October 2024

Sunday Serial:280 x 70, 39. BJ by Gill james, cheap fizzy white wine

Introduction

This collection is a collection of seventy stories, each 280 words. They were inspired by the first picture seen on my Twitter feed on a given day.

 

Why does he always have to muzz his hair like that? Before a radio interview? Okay, so they're filming him going into a radio interview. He has to keep up appearances. Actually, would a fine haircut make a difference? Probably not. He's one of those guys whose shirt always hangs out. 

They say he tells lies. Lie after lie, some claim. It's not just the twisting of statistics to suit his cause - that's what most of them do - but he doesn't even trade in verifiable facts, does he?

Of course, he's given us a bit of a giggle at times. They've even liked him on the mainland because he lightens things up. Gives them something to laugh at when things have got too serious. The trouble is, things are serious now and there isn't any time for buffoonery.

He rarely gets his facts right and he ought to be able to, given the education he's had. I know he's just being lazy.  Can't be bothered to find out and now it's become a trademark so he can't drop the act even if he wanted to.

Good for the country, eh? Well I suppose at least he'll get on with it. He'll charge in there. Rummage around a bit. Fix a few things, break a few things. Perhaps he will bring us together. He'll unite us in our despair of him.

It's all one great big Eton mess, with a little jack Russell jumping up at their heels as the meringue and strawberries go flying. Oh oh.  Tweedledee and Tweedledum either side of the Atlantic. But which one is Dee and which one is Dumb? Or dumb and dumber?    

About the author

Gill James is published by The Red Telephone, Butterfly and Chapeltown. She edits CafeLit and writes for the online community news magazine: Talking About My Generation. She teaches Creative Writing and has an MA in Writing for Children and PhD in Creative and Critical Writing. 

http://www.gilljameswriter.com 

https://www.amazon.co.uk/-/e/B001KMQRKE 

https://twitter.com/GillJames 

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Saturday 19 October 2024

Saturday Sampple: Butterflies by Jenny Palmer, homemade lemonade

It’s a mystery to me how they get in. I normally keep all the windows closed from September onwards. Yet sometimes in the middle of winter they’ll collect at the window, frantically trying to get out. This March they were particularly persistent. I opened the window as much as I could, without letting in too much cold air. It was still frosty outside. However much I coaxed them to exit, they just wouldn’t budge. They rested on the windowsill, fluttering about, hesitating, content to stay in the warm, for as long as I’d let them.

Red butterflies, it says on Google, are supposed to be a symbol of passion or a promise of years of happiness to come. I would happily settle for the latter. In some cultures, they are a sign of evil or danger and in Scotland they were believed to be witches in disguise. Other cultures thought they appeared when people needed to be careful and prepare for the unexpected to happen. Were these a sign?

 At first, I thought mine were Red Admirals, but Google claimed there are only two varieties of red butterflies that come into houses to hibernate: the small Tortoiseshell and the Peacock. The Peacock can easily be identified by the large spots on its wings, so they weren’t that. The small Tortoiseshell is often confused with the Red Admiral because it has black and white tipped wings, but it also has yellow stripes and is more of an orange colour than as red. I settled on that.

The small Tortoiseshell, I learned, enters houses in late summer or early autumn to hibernate for the winter when it’s still warm outside. Houses tend to be cool, sheltered, and dry and they’ll happily stay inside all winter, but the trouble is, when the heating comes on or the sun shines, the butterflies sometimes get tricked into thinking that spring has come early and are desperate to escape and start feeding again. Hence all the fluttering at the window.

Whenever I see a trapped creature, my first instinct is to help it escape. I’ll put towels in the bathtub so that the spiders can scurry up them, rather than be washed down the plughole. I’ll scoop up slugs with a shovel from the kitchen floor and carefully deposit them outside in the garden, even though I have a horror of slugs. I once untangled a sheep from the fence, when it got its horns stuck in the wire netting. I can’t stand feeling trapped myself. If I need to stay indoors for any length of time, I start to go stir crazy.

So self-isolation was always going to be a challenge. Of course, I took the government’s advice. None of us wants to die. If staying indoors would stop the virus spreading, then I was all for it. It was simply a case of replenishing my already well-stocked larder. I always have a two-week supply of food in the house just in case it snows. I’ve been caught out like that before. This time I planned to buy in some extra tins of soup and baked beans, and some milk and bread to freeze. I had enough of everything else. I wouldn’t need to be doing any panic-buying of toilet paper or anything.

The first couple of weeks would be a novelty, I imagined, a bit like going on holiday. I could watch all the programmes I’d missed on Catch-up and read all the books I’d never got round to reading. There were lots of jobs about the house to be getting on with, like putting up shelves for the extra books I’d bought, tidying up my papers into neat piles or sorting out clothes, ready to be taken to the charity shop. I’d keep in touch with the world via the internet. And there was always the phone if I felt like communicating with the rest of the human race.

To avoid being bombarded by the news, I’d restrict myself to one news programme a day and perhaps one programme with some analysis. To keep myself in the loop, I could try upping my Facebook usage, by liking more posts from friends than usual. It would be hard because I’m not a pet person and have never been able to understand why people insist on posting so many photos of their cats or dogs. And I usually avoid signing too many petitions on the grounds that they are presumptuous, and you get emails from them forever afterwards.

There are three stages of development in the butterfly: the caterpillar or pupa stage, the chrysalis, and the final adult stage. On average, the lifespan of the adult butterfly is only two weeks. In summer they live on the sap from trees or on fermenting fruits and nectar from plants. I knew there would be plenty for them to eat in my garden as I’d made a point of planting nectar-rich plants such as buddleia, sedum, and lavender to attract insects, although it was a little too early for that. 

It's a natural inclination for any living creature to be outside in spring. When I saw the butterflies struggling to get out, I couldn’t help but assist them. I gently wafted them towards the window with a newspaper, careful not to damage their fragile wings. It took a while. As they approached the open window, they’d just fly back inside again. Finally, I was able to release them and watched as they flew off in all directions. I’d done my good deed for the day.

Only later did I learn this is not the correct way to deal with butterflies that have woken up inadvertently in winter. What you should do is catch them, put them in a cool cardboard box where they’ll settle down and then re-house them in a suitable location, somewhere like a garage or an outdoor shed. There they’ll peacefully see out the remainder of their hibernation. Without nectar to feed on and with the cold, frosty nights that ensued, the ones I’d freed wouldn’t have stood much of a chance and would most likely have died of starvation or of the cold.

Me, I’m staying put for the duration, and focusing on keeping myself occupied until the coast is clear. I buy a newspaper, whenever I go out shopping, just to keep abreast of the situation. If the epidemic follows the normal pattern, the scientists tell is, it will peak in a few months’ time, and eventually die out. I hope I can hold out that long. The worst thing is not having someone close at hand to share it with, and the feeling of unreality that it engenders. But when I start to feel like that, all I do is remember the fate of the butterflies and the feeling soon passes. 

About the author 

 Before becoming a writer, Jenny Palmer taught English to foreign students both abroad and in London. In her spare time, she co-edited four anthologies of short stories published by the Women’s Press and Serpent’s Tail. Since returning to her childhood home in rural Lancashire in 2008, she has written and self-published two memoirs Nowhere better than home and Pastures New, two family history books Whipps, Watsons and Bulcocks and Witches, Quakers and Nonconformists, and a poetry book called Pendle Poems. Keepsake and other stories, her first collection of stories, was published by Bridge House in 2018. Butterflies and other stories is her second collection. These new stories have been published in the Lancashire Evening Post, on the Cafelit website, in the Evergreen anthology, and in Creative Mind anthologies. Ladybird and Health Check are in Best of Cafelit 12, and The Visitors 2 is in Best of Cafelit 13.
 

Find your copy here 

 

Friday 18 October 2024

The Fusing by Laura Shell, chili -infused mead

She heard the collective shrill from the trees above, breaking the early morning birdsong. Somehow, she knew what was coming because she hunched her back and closed her eyes. Her skin knew, too; gooseflesh formed all over. And then they fell from the tree, a horde of them—red, hard, segmented bodies, two inches long, with stingers at their asses, antennas on either side of their heads.

 

They fell from a long height but landed as one unit; like a blanket, they covered her back, and as soon as their legs straightened, they bolted, scattered, and ran down her outstretched arms, around to her belly, down her legs, across her chest. She screamed, and some of them entered her mouth.

 

She pulled at her lips, fell to the dew-covered grass, on her side, and coughed purposely. Her eyes still squeezed shut; she had to get them out of her mouth, so she dug for them in a panic, and pulled a few of them out, but not before they had buried their rigid stingers into her soft, fleshy cheeks, in between her teeth, along the gumline, three spots on her drying tongue, one on the roof of her mouth. Cough, cough, fingers in her mouth, digging, grabbing, pulling the bugs from inside her face. Some still had their stingers and when she caught them, they stung her fingers. Felt like nails going in through to her bones.

 

She couldn't get them all, so she thought, Screw it, and chomped down, eating them, their hard bodies so very crunchy, not tasting like anything. That's when she noticed the pain.

 

Hot pain. So much pain. In her mouth. She imagined being bitten by a snake inside her mouth.

 

Hot pain. All over her back, her arms, her legs, her crotch. She then realized she'd been rolling from side to side in the wet grass, the movements not saving her from being bitten by these insects that seemed to have an agenda—cause as much pain as possible to this human being.

 

But what had she done to deserve this? Nothing. Just stood in the wrong place at the wrong time.

 

The insects that had jammed their stingers into her flesh had run off into the grass. The rest still dashed along her skin, their stingers still intact.

 

The hot, burning pain beneath each stinger was still erect in her skin, and there must have been hundreds of such sites; she wondered if poison accompanied the pain, and if so, what was the poison going to do to her?

 

Not too many bugs left. She swatted at the ones that still crawled on her. Then she tried to stand. She managed to rise onto all fours, her sweaty hair dangling down, the ends touching the indented grass. With heavy breaths, she spat out the crunchy bits of dead insects.

 

Suddenly, her feet fused together.

 

She screamed and looked back as her flesh became black and lobster-shell hard and pointed...like a stinger. 

 

About the author

 

 Laura Shell has been published in NUNUM, Maudlin House, Citron Review, and many others. Her first anthology of paranormal stories, The Canine Collection, was released this year, and she is currently working on her second anthology. You can find out more about her at https://laurashellhorror.wordpress.com

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Thursday 17 October 2024

The Story of a Man by Barry Garelick, green tea

Daniels father was Robert but everyone called him Bob. Daniel had heard many stories from his father as he was growing up; some about World War Two, some about fleeing the pogroms in Russia, some about growing up poor in Brooklyn. When he was fourteen, Daniels grandfather died, and then there followed stories about his grandfather, told by the many friends and relatives who populated their house for the first week or so after the funeral. From the stories he heard, his grandfather had been a saint apparently, and though Daniel knew him to be friendly, he didnt really know his grandfather that well. He felt he had missed out on something.

A few days after the funeral, Daniel was presented with one more story; unlike the others, this one had no words. Come on in the bedroom; I want to show you something, Bob said and emptied onto his bed the contents of a blue woolen bag on which the Star of David was sewn. A variety of objects lay on the bed: A well-worn sepia photograph of Daniels grandparents with Bob and his sister, a Hebrew prayer book, his grandfathers identification and other papers from Russia, a yarmulke, and a prayer shawl.

The two of them looked at the objects in silence. Daniel knew his father was waiting for him to say something. The expectation annoyed him, and though he knew better, he was surprised to hear himself say: ‘It’s just a bunch of papers and things. So what? He immediately regretted his disrespect.

Bob glared at Daniel and said ‘It’s the story of a man!’ and walked out of the room. Nothing further was ever said about the event, though Daniel thought about it as he grew older, often wondering why his father did not show more anger than he did.

Bob had a bad temper at times, particularly when he was drinking, though he had not been drinking that day. Bobs drinking was sporadic, which he used as evidence that he wasnt an alcoholic when the subject would occasionally be raised. ‘If I were an alcoholic Id be drinking all the time. But I dont have to drink and I can control it,’ he would say to Daniels mother who, though skeptical, went along with the theory. When he was drinking, Daniel tried to avoid him as best one could in their small house.

Over the years, Daniel learned to disappear within himself as necessary to avoid confrontations with Bob; for the most part he was successful in this. Some were unavoidable, however, such as his decision to not go into Bobs art business. In the early seventies after graduating from college, he moved out from Detroit to San Francisco. ‘You do not have my blessing!’ Bob had said, but as was typical of him, accepted Daniels decision and told the world how proud he was of Daniel when he became a reporter for a newspaper there.

His parents would visit Daniel occasionally. Sometimes it was just Bob, when he would stop in San Francisco on his way to and back from Japan on art-buying trips for his gallery. On one particular solo visit, Bob had returned from what was to be his last visit to Japan. Daniel was to meet him in the hotel where he always stayed, a few blocks from Union Square. ‘The hotel brings me luck,’ he would often say.  He called Daniel in the mid-afternoon when he arrived from the airport. ‘We’ll have dinner and talk; I want to know what my wonderful son is doing.

 

Daniel stood before the door of his room, and took a deep breath. He would have liked to walk away, but knew he couldnt or wouldnt. He knocked on the door; a muffled ‘Yeah, Im coming,’ could be heard. When the door opened Bob spread out his arms and hugged Daniel. ‘My beautiful son,’ he said.

‘Come in, come in; here, sit over here, lets talk, its so good to see you.’ He motioned to a chair by the small table by the window where a bottle of almost empty Cutty Sark sat like a still life. Bob sat down in a chair next to the table. ‘So tell me what you are up to.’

It was a simple question. With anyone else Daniel could have answered by talking about how he had just interviewed people at the Salvation Army Officer Training Centre for an article he was writing for the San Francisco Examiner where he worked as a reporter. But that would have been asking for trouble given Bobs disdain for religion and his belief that if there were a god, then he wouldnt have let six million Jews die in concentration camps. ‘Were born alone and we die alone,’ he had told Daniel over the years. ‘No one is going to look after you.’

But instead Daniel answered as neutrally as he could ‘Im doing all right.’ Daniel had learned to navigate his fathers drunken states. He had learned to stay away from topics that would provoke him into anger which were many. He sometimes wondered if there was a time when his father didnt drink so much and what had triggered it, or if in fact there was a trigger at all. As he had done for many years, he disappeared into himself, and became a muse.

            ‘Are you lonely, Daniel?’

            ‘No, Im not lonely.’

‘You have friends?’

‘I have some.’

‘Good. It’s good to have friends.’ Bob filled his empty glass and looked at it.

In fact, Daniel had very few friends and was, in fact, lonely. But Daniels social life wasnt a subject he wanted to get into. Thankfully, there were no more questions about that. Instead Bob talked about his trip to Tokyo, how exciting the city was, how big it was, how Daniel would love it. ‘Its better than New York!’

New York! The mere mention of the city where Bob grew up led him to recount how he could have been in charge of an art gallery there, but he turned it down. ‘Too much back stabbing. There were others who wanted the job, and they were ruthless. So I was better off staying in Detroit, in my own gallery.’ He looked at Daniel. ‘Your life would have been a lot different if we had moved there.’ It probably would have, Daniel thought. He was twelve when the possibility of a move came up. He didnt really know whether he would have been better off, or how his life would have been different. It was an alternate pathway he didnt dwell on.

Tokyo! He talked about how nice the people were, but its become westernized ad the businessmen are like businessmen everywhere. ‘You cant trust anyone. Everyone wants something from you no matter what country youre in. Its becoming commercial like every place in the world; no matter where you go its starting to look the same, he said, the same restaurant chains, clothing styles, hair styles, music. Everyone looks so young,’ he said. He talked about a restaurant he went to called The Volga. ‘An imitation Russian café’ he said, and not only an imitation, but around the corner from Tokyo Tower which is an imitation of the Eiffel Tower of Paris. He hated the café, with its balalaika orchestra of all Japanese musicians. ‘Terrible! And they all looked sad and bored and utterly lifeless,’ he said with a sigh.

The art was expensive there, he said; the art business is dominated by people who dont give a shit about art, he went on. Theyve priced themselves out of the market, he said; it wasnt like this when he first went a few years ago. ‘This is my last time to Japan,’ he said and took another gulp of scotch. He then told Daniel what he had been telling him for years: he was getting old. And bitter. ‘The art world is big business now. I had one of the first galleries in Detroit. Now Im just some small guy with an art gallery that no one will remember. What the hell have I accomplished in life?’ he asked.

            As was his habit, Daniel tried to buoy his fathers sagging spirits. ‘You’re not that old; youre only fifty-nine. Youre probably doing better than you think.’  He knew he was being patronizing but Bob found such advice coming from a twenty-three year old endearing; so much so, that he laughed out loud and exclaimed ‘Oh Daniel, youre so beautiful. The moment of humor and adoration passed quickly, however, and Bob was back to his drunken reverie.

Youve always been naïve, Daniel. Im some immigrant with a high school education who worked his way into the art business. I know what people are thinking in their pitiful condescending ways. The big shots, the elites, the intellectuals. They look at me like Im some know-nothing. They talk in their special ways; they weigh their words, they dont say fully what they mean, but people who are part of that group know whats being said. As if I cant read between the lines. Status seekers; they buy art to impress and act like they know so much about it. Believe me, what Ive forgotten about art, theyre still learning. He paused and looked at Daniel. ‘Youre not saying very much. So what do you think about what I just said? What do you think about your father? Im talking to you man-to-man; as an adult. I want to know what you think.’

Daniel knew the moment would come. So he would tell him what he thought. ‘Youre just feeling sorry for yourself. Do you think Grandpa felt sorry for himself?’ The ‘feeling sorry’ comment he learned from hearing his mother say it through the years with fairly good results. The part about his grandfather was his alone.

‘My father was a simple shoemaker,’ Bob said, angrily. ‘He was part of the old world. Yes, he knew how to survive, and he got us out of Russia. But as far as how the world worked or what I was doing, he knew nothing. He wanted me to take a job in the post office when I got out of the Navy; a good-paying government job. The Navy gave me my citizenship papers when I was discharged; I was illegal up to then. Grandpa thought that was great, and all I needed was a steady good-paying job. I had other ideas.’

Fathers and sons are destined to be at odds, Daniel thought. Bob stood up and looked out the window. It had been late afternoon when Daniel had come in, but now the sun had set and the city was now a mix of lights from houses and apartment houses on hills, and in the proliferation of new high-rise office buildings downtown.

‘That was one good thing about the Navy. And the war. I became a citizen. I was part of the world. It was every immigrant boys dream to be a part of the world. In the war everyone was equal. It didnt matter what your background was on the battlefield. All that mattered was surviving. We would joke with each other. Theyd say ‘There's a bullet out there with your name on it, Bob. That's how we talked. We joked about death; to keep from being scared. We were all scared; we just didnt talk about that.’

Bob sat down again, and rubbed his forehead. He closed his eyes, and Daniel thought he was going to sleep but when he opened them again, he looked at Daniel, as if seeing him for the first time.

            I killed a man once, Bob said. ‘You didnt know that, did you?’

            ‘When?’

            ‘During the war. On Iwo Jima.’ He scowled. ‘I killed many men who were far away and I didnt see them die and it was easy to make myself forget what I was doing. But one time it was up close. The battle was almost over, and they put up the flag and took that photo that everyone knows. But there were still Japanese on the island. I was walking by myself and I saw a Japanese soldier coming towards me. He had his rifle pointed. I shot him. He fell and I ran over to him. I looked in the pockets of his flak jacket and pulled out a wallet that had photos of his wife and kids, and his identification. I took it with me. I dont know why. I had it for years.’ He looked at Daniel.

            ‘Im talking to you man to man,’ he said again. ‘I want you to know certain things about your old man.’ He ran his hand over his face. ‘I brought his wallet with me to Tokyo,’ he said.

            ‘Why?’

            ‘I wanted someone to get it back to the poor guys family. I figured the War Museum might help me. Its in Tokyo a part of Tokyo, like a suburb. Chiyoda City. I took a cab there. I said I wanted to go to Chiyoda City. The cabbie said To the war museum? and I said yes, the War Museum. I felt like he was a ghost. He didnt say anything the whole ride and when I got out and paid him, I said Are you a ghost? and he said Yes. ‘ Bob laughed and pointed at Daniel. ‘You think Im crazy, dont you?’

 ‘He may not have known English that well.’

‘Yeah, maybe,’ he said, suddenly somber.

‘Were you drinking?’

‘No. But I think there are ghosts. There are ghosts, Daniel. I’ve talked to others who were in the war. They tell me the same thing; there are ghosts. Sometimes I hear them in my dreams.’

Daniel heard laughter in the hallway. There were three or four people, Daniel guessed. They passed by the room; when they could no longer be heard, Bob continued. 

‘It’s a big museum. I went inside and spoke to a guard and said I wanted to speak to someone. I said I had some things from a soldier who died on Iwo Jima. He went and talked to someone who came out. Mr. Hayashi. He gave me his card and I gave him mine. Thats how they do it in Japan. I told him the story and showed him the wallet. I said I wanted to get this to the mans family if that was possible. He thanked me and said they would try to locate his family and get it to them.’

‘He said he’s met many Americans through the years and hes heard similar stories. They come here to confess, to apologize. He said that he can tell they are hurting. If I hadnt killed that soldier, I would have been dead, he told me. War is horrible, he said and I said yes, it is. He asked what I did and I told him. He asked if I came here often to buy art. I said this would probably be the last time.’

            The sound of the cable car down below could be heard. Bob stood up and started to walk toward the window. For a brief second it looked like he was going to fall and Daniel stood up and came over to him.

            ‘Are you OK?’

            ‘Im fine. I just stumbled a little.’  He pointed to the streets below. ‘Look at all those people. Everyone going somewhere.’  Daniel nodded. There were indeed many people, he thought. He longed to be with them.

‘I was going to take you to dinner. But I’m very tired. And I had too much to drink. Im sorry Im not much for conversation.’  Daniel thought this last remark funny but didnt laugh.

Bob looked at Daniel as if he just remembered something. ‘Lets get together for breakfast tomorrow. Down at the restaurant here. My flight leaves at noon, so theres time. I want to hear what youre up to. Do you have time? Seven oclock?’

            ‘I have time.’

They hugged each other at the door; Daniel felt the familiar nap of stubble against his cheek. ‘Ill see you tomorrow,’ Daniel said.

‘It’s so good to see you, Daniel. Really good to see you.’

 It was not yet cold out; the fog had not rolled in as it usually did. Daniel decided to walk home. He knew Bob would not remember what was said that night, and would probably ask Daniel what he had talked about. Daniel would tell him as best he could. It felt as if there was an opportunity to talk about everything and anything, but he knew better.

Bob would probably ask Daniel once more if he were lonely, and he would say no. Maybe he should say yes, he thought and see what happens, though he knew he would not. Maybe he should ask Bob if he were lonely. He would probably say no. Daniel would always be a listener and his father would always be a mixture of things; things Daniel knew about him, and secrets he would never know. 

 

About the author

Barry Garelick has fiction published in Heimat, Cafe Lit, Ephemeras and Fiction on the Web. His non-fiction pieces have been published in Atlantic, and Education Next. He lives in Morro Bay, California with his wife. 

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