Showing posts with label Yash Seyedbagheri. Show all posts
Showing posts with label Yash Seyedbagheri. Show all posts

Tuesday, 17 November 2020

Declined

 

by Yash Seyedbagheri

cola

 The credit card machine beeps, a harsh siren song.

DECLINED. DECLINED.

The flame-haired cashier, attired in blue and white smock, asks if I have another card. Her words are little too precise and knowing. She stares, her blue eyes weary.

I do have other cards. But I know what the response will be, like the other seven cards, each one drained over the past month. Fixing my broken Toyota Corolla. Paying for damages to a jukebox at Bavo’s Bar after Chuck Addison made crude comments about my older sister Nan. Paying overdue phone bills.

Now all I want is the luxury of some Michelinas TV dinners. Stroganoff. Some microwaveable pretzels. A six-pack of Fat Tire. And more Diet Pepsi. I just want a minimal dinner, less-than-healthy, the kind every indebted American consumes. A small, gluttonous, thing.

I just want to accept smallness and not dream of champagne and caviar. I’ve dreamt of those things. Dreaming feels like falling really hard on the ice and hobbling afterwards.

Still I run another card, swipe it hard. DECLINED.

I try again. Joke about not swiping hard enough. DECLINED.

I think of the fridge in my apartment, almost naked. Its occupants are a lone, white onion and sardines. There’s also that half-full or half-empty bottle of Diet Pepsi, whose label I ripped off after having to pay overdue rent. I’ve always tried to stock up enough to last two weeks. It never lasts. I always need late-night snacks, middle-of-the night snacks, just because I can. Because no one can take that.

DECLINED. The machine beeps. I’ve heard that beep so many times, week after week, month after month. Still, I come back, like an idiot. As if Santa Claus might wipe my debts away en route to the register. Or some financial wizard.

‘Damn you,’ I growl.

I give the machine a punch, my fist dull. Pathetic. I didn’t angle it right, the way I did with the jukebox at Bavo’s or with the others I’ve fought.

            Not a dent.

It stares, a hunk of black square. People stare. A mother shifts, murmurs something to two children. Perhaps she’s telling them I’m a freak, a loser. A man without a good job, a good life. Perhaps she’s telling them not to be like me. A young man in a baseball cap arches an eyebrow, returns to the sanctum of his cell phone. A little girl laughs.

I almost want to smile and curse her out simultaneously.

The cashier waits for something. Perhaps for me to beg. Perhaps for me to make up a story. I’m sure she’s heard stories of runaway parents and spouses, fires, and debts. She contains them all in her cynical smirk. Probably plays them back night after night. I can’t blame her, given her particular job. We all need some sort of entertainment.

“That’s all right,” I say. “I’m declining this transaction anyway. Not good for my health.”

 I walk out, hungry, but with a certain gait in my step. I pick up the pace. Cock my head with the coldness of an aristocrat. Try not to look at the full carts full of family dinners. There’s something about declining people, a dark power. Even if the cycle of checkouts and laughter keeps on going, even if my visit has no effect at all. I at least haven’t begged, even if I tried to punch a credit card machine. At least nothing’s broken.

Even if I did curse a machine.

DECLINED. One good thing.

I shout that word out into the swath of dusk, the deep pink and purple spread across the hills. Butter-colored lights are coming on from houses, spread out, like some sort of set. The world is large, but it’s a good kind of large for this one moment. I keep on going, shouting that word up long and winding streets, the store becoming smaller and smaller.

DECLINED.

About the author 

Yash Seyedbagheri is a graduate of Colorado State University's MFA fiction program. His stories "Soon" and "How To Be A Good Episcopalian," have been nominated for Pushcarts. Yash’s work is forthcoming or has been published in The Journal of Compressed Creative Arts, Write City Magazine, and Ariel Chart, among others.


 

 

Sunday, 31 May 2020

Thump

by Yash Seyedbagheri

cold tea

My life is the thump of footsteps.
Thump, the graceful clickety-clack of Mother’s heels.
Thump, the definitive thump of Dad’s feet.
Thump, the sound of demands.
You’re always unhappy, Penelope. What about your boy?
Thump, Mother’s heels striking a wall.
 He’s yours too. Don’t make this about him.
Thump, Dad speaking. Duties, obligations.
Thump, lilting tears.
Thump, soft, surreptitious thump, a series. The sound of someone leaving. Dad plays “Misty,” Mother’s favorite.
Thump, the sound of a father and son converging.
Thump.
 Your mother loved lavender.
Thump.
Where did she go?
Thump, the sound of feet, diverging.
Thump, questions settling in.

Thursday, 23 April 2020

Things He Tore Apart

by Yash Seyedbagheri 

unsweetened cocoa

I hop around, an Easter Bunny, a huge rip in my tail.
Kids ask who hurt me. I want to talk of a father’s drunken hands, ripping joy. Fuck Easter. Help your worthless dad. Once he told jokes about sex and lightbulbs, taught piano, hands so long and patient, elegant in gestures.
Then he got fired. Budget cuts. They offered no odes to his music. No tributes to his eyebrows dancing as he talked of Romanticism, his childlike smile.
I deliver candy, absorb joy. Smashed pianos and hands flit about my consciousness.
I toss cheer until it leaves.
What’s next?