Showing posts with label Tony Warner. Show all posts
Showing posts with label Tony Warner. Show all posts

Thursday, 20 November 2025

How to Fund a Wedding by Tony Warner, jasmine tea with lemon

            ‘Don’t you think it’s about time we got married?’

            ‘I thought you weren’t too bothered?’

            ‘Well, now the baby’s on the way, perhaps we ought to sort it all out, you know.’

            ‘All right, if that’s how you feel. Didn’t think you were that old-fashioned. I’m all for it in theory, but we don’t have the money and these things cost a fortune.’

            ‘Like babies?’

            ‘Exactly. Like babies. And a wedding on top? Janice and Fred spent over twenty grand on theirs. And that was without the honeymoon. Not sure we’ve got twenty pence.’

            ‘Don’t exaggerate. There’s the money we’ve been saving for a deposit on a house. Anyway, it’s the bride’s father who pays.’

            ‘You must be joking! Imagine my old man forking out that sort of cash. How many times has he done a runner at the pub when it comes to buying his round? Spent all his money on beer and bookies. The only reason he’d turn up at the wedding would be for the free booze.’

            ‘Who said it would be free? What if we did it all on the cheap? You know Harry, who does the beer tent at the festivals? He’ll come in and run a pay bar.’

            ‘So what? We have it in the open air?’

            ‘Don’t be daft. How about Graham, down at the industrial centre? We can use his caff. Have the wedding over a weekend when he’s not open.’

            ‘I suppose so, but he’ll want paying for the food. Mind, we don’t have to get him to do the catering. I’ll ask Chloe; she’s a dab hand at buffets and things. No sweat for her to cobble something together for what, twenty or so people.’

            ‘Chloe will want paying and imagine what your mother will say if all we have is bottled beer and a cold buffet.’

            ‘My mother will never know. We’ve not spoken for three years, not since we had that row after I gave up the secretarial job at the council. I’ll invite her, of course, but she won’t bother to show. So, where are we? Graham’s caff for the day, Chloe to do the catering, Harry on the bar. Can you get your brother to bring his kit and play at being a dj?’

            ‘He’d love that. Been trying to get a proper gig for months. I’ll video him on my camera, put it on Facebook and Instagram. Free advertising for him, free music for us. But there’s still Chloe to pay.’

            ‘Never you mind Chloe, I can sort her out. That’s about it.’

            ‘There’s photographs.’

            ‘Do people still do photographs? I thought it was all wobbly phone camera stuff.’

            ‘They don’t last. Apple changes the operating system every five minutes. The photos you took this month won’t be available next. You need proper printed photographs on proper photographic paper and another set on a CD, just in case.’

            ‘No problem. Patrick Marsh, he’s just the man. Everyone uses him. Our only problem will be booking him in.’

            ‘And paying his fee.’  

            ‘Don’t you worry about that. I’ll make him an offer he can’t refuse.’

            ‘Not in your state.’

            ‘Don’t be silly. I’m absolutely a one man girl nowadays. Anyway, I don’t fancy Patric - all that carroty hair. I’m not like your old man; once I’ve cast my eye over the runners and riders I go for my choice, no hedging of bets or chopping and changing.’

            ‘Delighted to hear it. If we’re going to splash out money we don’t have on a wedding, I’m damned if I’m going to be able to afford a divorce. Don’t suppose we can get the registry office for free, can we?’

*

 

            ‘That was the best wedding I’ve ever had. With luck, the next one will be even better.’

            ‘You’ll be over ninety by then. I’m never going to let you go until they carry me out in a box. Where did your brother get all those old records from?’

            ‘He’s been collecting them for years. Started when he was an exchange student in the States. All the rich kids bought records (they were just coming back then) played them once or twice then dumped them in the rubbish. He made a habit of trawling all the bins on campus at least once every day. Built up a huge collection for free. Even Paul Gambuccini hasn’t got some of the records he has.’

            ‘Doing something for nothing obviously runs in the family. Good of Graham to lend us the caff. Though it took me and Chloe hours to clean it up the next day.’

            ‘How did you get her to do that as well as putting on such a huge spread? The vegetable samosas were delicious. Pity there weren’t more of them. Can’t have everything, I suppose. Have you seen the photos Patrick took?’

            ‘Only on a disk. How he got the one of Charlotte and Ben having a quickie round the back of the kitchen, I’ll never know. For God’s sake, don’t let Ben know you have it, or he’ll put it on Facebook and all hell will break loose.’

            ‘Smart lad, Patrick. He’ll make a great private eye one day. What did you have to do in the end to procure his services?’

            ‘Dead simple. All he wanted was for me to get Chloe to sleep with him.’

            ‘Doesn’t sound simple to me. Pretty choosy girl, is Chloe. A trifle up-tight as well, so they tell me. I suppose she did, in the end, despite his messy hair and big feet.’

            ‘Of course, no problem. It’s been three days now, and ,except for helping me clear up Graham’s place, I don’t think they’ve been out of bed since.’

            ‘Very clever of you. But now you’ll have to pay forfeit, do whatever you have to do for Chloe. Spend the summer waitressing for her for free or making ten thousand jam tarts.’

            ‘Not at all, job done. She asked me for one simple favour and I’ve already done it for her.’

            ‘So what was the favour?’

            ‘You’re dead right, she can be shy and up-tight. She wanted me to get Patrick to sleep with her.’

            ‘My God. I have married a clever wife. I’ll have to watch my step from now on.’

About the author 

 Tony Warner lives in Norwich, Norfolk. He has published a novel based on the fictional meeting of Vincent Van Gogh and Pablo Picasso, a book of short stories, several poems and short stories. He moonlights as an art critic and is renovating a thirteenth century church as a scriptorium. 
 
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Monday, 27 January 2025

The Haunted House by Tony Warner, a Cabernet Sauvignon

Staying at Penny’s house always makes me feel uncomfortable. There is an interminable and unsettling consciousness of alien intrusions. Unseen slippers slide across floorboards; a breath of  wind from a crossing body wafts eerily against my cheek. From upstairs comes the sound of a door closing silently. Perhaps it’s not the house itself; it could be me. I’ve been hyper-sensitive since I died, all my senses wound up to fever pitch, mind and body responsive to the merest iota of change in the physical and emotional environment.

            As ever, it was all Ramsay’s fault. We were visiting his mother for her birthday and he was in a rush. He was always in a rush. ‘Get up an hour earlier,’ I’d say to him, ‘then we can leave in plenty of time’.

            ‘No point,’ he would reply. ‘Leave too early and we’d only be caught in the traffic. Catch the right moment and we can zoom straight through.’

            Which is right in theory, but doesn’t allow for holdups: for accidents or animals on the road, not to mention urgent calls on one’s bowels or bladder. Many’s the time I’ve ended up squatting behind a hedge at the side of the road because Ramsay refused to pull in to the nearest petrol station. Well, this time we set off exactly to the minute, Charlotte safely tucked away in her carry cot on the back seat, held in with three firm straps, hooked in to the stantion points like the over-height loads on the top of an HGV.

            All went well until we hit the motorway, or what was left of it after the previous night’s six car pile-up. Three lanes became two, then one, then a single immobile mass of frustration and exhaust fumes. Ramsay sat and mixed his own fumes of exasperation in with the petrol and diesel. Once we were free, we were a good forty minutes behind schedule; a situation not to be endured.

            I did the sensible thing, rang Ramsay’s mother and told her we’d be a bit late. ‘Never mind, dear, I’ll be delighted to see you any time of the day or night. Give Charlotte a big kiss for me.’ Not that I could; Charlotte was sleeping enveloped in safety strapping on the back seat.

            Undeterred by the mangled wrecks being removed from the hard shoulder behind us, Ramsay did what he always did in these situations. He put his foot down hard on the accelerator. At a steady seventy we would have caught up at least half of the time we had lost. Ramsay had us bucketing along at something over ninety, weaving from lane to lane like a supersonic shopping trolley.

            I never knew exactly what happened, whether he lost control or smashed into the back of a slower vehicle unwilling to give him way. By the time I came round three weeks later, the exact details had been lost in the speculations about whether I would die or not. As it was, I did die. Not for long, a couple of minutes, they tell me, two minutes out of my life, or out of my death, depending on whichever way you look at it.

            I was a terrible patient, always have been, and dying made me worse. For hours on end I screamed for Charlotte, until the police ran an emergency service, all blue lights flashing, bringing her to me curled up in the arms of Ramsay’s mother. We didn’t talk about Ramsay on that occasion, and very rarely since, the ensuing emotional devastation always reducing me to a howling wreck.

            Which is why I don’t mention my fears about the ghost in Penny’s house to anyone, not even Penny. I have thought about it. Surely she should know her home is haunted? On the other hand, if it doesn’t bother her to live with a spook, who am I to worry her?

            Charlotte says I am ‘emotionally ultra-sensitive’, an expression she has picked up from her school, which is a big one for low-grade psychoanalysis. I’m more inclined to think of myself as a trainee medium, picking up on invisible auras. Whichever way, it annoys the hell out of Charlotte. She’ll come home from school all blithe and beautiful and plonk herself down in front of the television, as usual.

            ‘How was school?’ I ask.

            ‘Fine. Same as. Nothing special.’

            ‘Are you sure?’

            ‘Of course I’m sure.’

            ‘Something has upset you. Was it the boys being rude, or have you fallen out with Tracey again?’

            ‘Aw, mum.’

            So on we go until it turns out that Miss Waldegrave has told her she is the stupidest girl in the class, if not in the whole school. We finish curled up in one another’s arms and eating far too much chocolate ice cream. Think how annoying it must be not to have any emotional secrets from your mother. If it had been like that with mine, I would have left home five years earlier than I did.

            Charlotte has grown used to my x-ray interrogations, which is why today she comes straight out with her problem. ‘Hannah has asked me for a sleepover at hers at the weekend.’

            Hannah is Penny’s elder daughter, the sort every mum wishes her son would bring home  on his arm one day. ‘Darling, that’s wonderful. You know I like to see you making lots of friends, and Hannah is such a charming, well behaved girl. Of course you can go.’

            ‘But I don’t want to, mum.’

            ‘Why ever not? I thought you liked Hannah?’

            ‘Hannah is loveliest girl in the whole world and my bestest, bestest friend.’

            ‘Then why don’t you want to go there? Is it Julia?’

            ‘No, Julia’s fine. A noisy pest, but no worse than Andrea. Little sisters are always a pain. You said you and Aunt Celia never got on with one another when you were growing up, and now you can’t see enough of one another. It’s not Julia who’s the problem, and her mum let’s Hannah stay up as late as she likes when she has a sleepover. I just don’t like the house. It’s creepy. I come over all goose bumps when I’m there, as if someone’s watching me all the time. You know, like in those horror movies, where apparitions ooze out through the walls or a zombie grabs you while you’re not looking. What if I fell to sleep and a vampire swept in and bit me? I’d become one of the living dead.’

            One thing our kitchen is never short of is a plentiful supply of chocolate ice cream. We finish off a whole tub while I try to explain to Charlotte that zombies are a Hollywood invention and only exist in Caribbean folk law. And vampires sprang out of Bram Stoker’s imagination. And there are no such things as ghosts. Tomorrow I must talk to Penny. And buy another tub of chocolate ice cream.

            The one place I didn’t want to have the conversation with Penny is at her house, which, of course, is where we end up, but only after a couple of glasses of red at the local wine bar. Whether it was the preceding day’s chat with Charlotte or the wine, I’m not sure, but Penny’s place seemed even weirder than usual. The air is misty with threat, strange noises break in at irregular intervals, every object looks as if it were in the wrong place.

            Even Penny herself seems dislocated, not certain where to put her glass or if the cushions on the sofa are where they should be. A door closes silently upstairs, a presence whisks across the floor boards in the hallway, the cat scurries downstairs as if in fright at some fierce, ghostly dog. I shift uncomfortably in my seat, gulp carelessly at the fierce Rousillon red wine, spluttering half of it on my blouse.

            Much fussing and drying later, we settle back into the comfort of the living room, neither of us sure how to resume our conversation. ‘You seem nervous,’ Penny begins.

            ‘Well, I’ve something difficult to talk to you about.’ We both jiffle uncomfortably in our padded seats. I put my re-filled glass carefully in the centre of the coffee table. ‘You know Hannah has invited Charlotte for a sleep-over at the weekend?’

            ‘Of course. Partly my idea. I know the two of them are virtually inseparable, and Charlotte is such a nice girl.’ Do I catch the hint of a squirm in Penny’s manner? Whatever; she is avoiding eye contact, her mind elsewhere, fidgeting with one of the tassels on her cushion.

            I am not renowned for my tact. Even then, I can hardly say: ‘my daughter doesn’t want to come and stay in your house because she thinks it is creepy.’ Now, can I?

            ‘Did you know the kids at schools have been trying to scare one another, making up ghost stories? They have come up with the idea that this house is haunted.’ I sit back, waiting for the explosion.

            ‘Whatever gave them that idea?’ Penny throws back her head, sits ramrod straight, eyes glittering, cushion tassels clutched firmly in each hand as if she is trying to strangle them. ‘There was never any such suggestion when we bought it, and it’s no more than a hundred years old, so it can’t have much of an history. Is that why none of them ever want to come round? I always thought it was because I don’t have the right accent.’ She stifles a sob, deliquesces back into the sofa.

            ‘Darling, it’s not that. Everyone adores you. And Hannah. Your accent is no worse  than anyone else’s round about. But you must know, there are always strange things happening here. Listen! Hear that bump? What do you think it is? We are the only people in the house, it isn’t raining and the plumbing is behaving perfectly correctly. Then there’s the shuffling and strange gusts of wind. A while ago there was a clicking, like death watch beetle and a shuffling sound. There! Another bump! Charlotte is scared to death and I’m uneasy here most of the time as well. Whenever I visit you I’m expecting to walk into the Ghost of Christmas Past or some poor soul who was murdered in your bath tub.’

            Do you know what it’s like to be told somebody you heartily dislike has died suddenly? Laugh? Cry? Offer condolences? Make a stupid joke? Penny has that look about her, splutters through clenched teeth, clutches her hands firmly in her lap, which reminds me she used to be a school teacher at one time. Her shoulders relax. At the sound of another bump she titters.

            ‘It’s Vincent,’ she says at last.

            ‘Vincent? Your ex? I thought you were long rid of him. When was the divorce? Two years ago?’

            ‘Two years and three months. The divorce was the most amicable part of our whole marriage. I got to keep the house and custody of the children; he keeps his hefty civil service pension. Then it turns out he hasn’t got a penny in the bank. Spent it all on those loose women he was fornicating with. Serves him right, silly old fool. But I couldn’t just turn him out onto the street, now could I?

            ‘I said he could stay here living in the spare room for a short while until he sorted himself out, as long as he came nowhere near me or the girls. Which, to be fair, he hasn’t. Good job, too, or we’d be back screaming at one another like we did when we were married. For the last twenty-seven months he’s been a good boy, kept well out of sight, only used the loo here when no-one was around, showered at work, ate out or in his room. Except he can’t be completely silent, of course. Like everyone who learned to type on a typewriter he’s got a heavy touch on the keyboard, knocks the mouse off his desk now and again, shuffles up and down in his slippers when work isn’t going well. Nothing gross, but enough to remind you he’s there.

            ‘But you can always tell when there’s another person around, can’t you? The air seems to move, the central heating magically comes on or goes off, the post collects itself in neat piles, the cats always have food and water.’ Penny completely relaxes, slides her legs under her, leans sideways like a kitten curling up for sleep.

Only to be brutally disturbed.

Two things happen simultaneously. Heavy steps descend the stairs, to the accompaniment of a prolonged ringing of the doorbell and rude voices in the background. ‘Free at last!’ cries an exultant Penny. ‘There’s the removal men come to ship his stuff out. Now, what time will Charlotte be here on Friday?’

About the author

 

Tony Warner lives in Norwich, Norfolk. He has published a novel based on the fictional meeting of Vincent Van Gogh and Pablo Picasso, a book of short stories, several poems and short stories. He moonlights as an art critic and is renovating a thirteenth century church as a scriptorium. 

Did you enjoy the story? Would you like to shout us a coffee? Half of what you pay goes to the writers and half towards supporting the project (web site maintenance, preparing the next Best of book etc.)

Friday, 25 March 2022

Window

 

by Tony Warner

Rioja

The girl stares out of the window. Not at me. Not at anything as far as I can make out. She is there every evening as I pass on the way home from work, a pencil stuck in the corner of her mouth, puckering up her top lip, almost closing her right eye. She has a desk lamp, which she rarely uses except on rainy or overcast days.

Her house looks directly on to the street. My shirt sleeve almost brushes her window sill. Not an infant; ten or eleven, maybe. Old enough to be taking her school work seriously, even the parts which she finds boring or difficult. The days she works hardest are those when she is using her coloured crayons. Then she does not look up as I pass, or stare into the distance. I wonder what dreams she has, where her mind wanders, propelled by her pencil, fuelled by her mother who I glimpse in the gloomy interior, surely insisting she work hard to get ahead.

He passes every evening the old man, making his way up the hill. Today he is slower than yesterday. When he was slower than the day before. I wait for the time when he will grind to a halt, not able to face those fifty more steps to the top. Will he turn into stone like the men in the statue outside the church or the rocks the sculptor piled one on top of the other in the main square? The mayor says they represent the heroes of the past, the great ones who made our city.

Were the great ones like this old man? If they were, they cannot have been so great. I think of people in the past. Were they just like us, working and eating and sleeping? Waiting for the world to change or for us to change? He passes. I pretend not to see, stare out across the lane. He pretends not to look at me, stares on up the street. Does he have a wife at home? Children? But he is much too old for children.

I am studying history, my favourite subject. History is about people. All the other subjects are about things. I take my crayons, draw a ship, the one which took Columbus to America. Why didn´t he fly? Maybe the Americans did not have any airports then, because they lived in tents and hunted buffaloes. The flags on the ship are red and gold, the colours of the flags in the city. Mamma says I should not take too much time on my drawing, that I must study the words in the history book and write my answers to the questions. She says I am a dreamer. The old man is not a dreamer. He has a job. He walks with purpose, if slowly. He has lived a long time. The world is real to him. He understands life.

What it must be to be ten once more, on the brink of life, trembling like a swimmer on a high diving board; excited. There will be fear, a flight into the unknown, a bursting arrival.

Where must I go? To the office every day, certainly.  I shuffle the papers, agree decisions must be made. Avoid decisions.

At home I also avoid decisions. So few now the children have gone. What shall we eat? Can we afford a holiday again this year? Is the flat too large for the two of us? If we move, what furniture are we going to sell? Again today I avoid making a decision. We have lived like this for ten years. We may live another ten, twenty, a hundred. The girl has her choices to come, ones which will be forced upon her. Like me, she must make the final decision, to live or to die.

She is very serious. Dreams of becoming a doctor. Her biology books are in front of her. From time to time she copies one of the diagrams. Between times she enters reveries of how it will be. She is the heroine of her own film, her own fiction. Somewhere in Africa she nurses children, injects them with magic fluids which will cure them of their illness, protect them against malaria and AIDS. No, not AIDS; she is too young to know about AIDS. Even periods are beyond her ken, the whole messy business of sex and carnal love. I am beyond it, if I still go through the motions.

He is something in business. No, not business. He carries a briefcase. A lawyer! A lawyer defending poor people, which is why his shirt is so crumpled and worn. He defends them even though they cannot afford to pay him. It is their troubles which make him so slow and careworn. However tired he is he cannot turn down a case, studies the papers deep into the night. Eventually he finds the one fact which proves his client has not committed the crime, that he is innocent and can go free. But his client is poor and cannot afford to pay him.

Or he has lost his case. That day he stops half way up the hill, examines the dog dirt on his shoe, wonders if he has made a mistake. Is it his fault an innocent man has been found guilty? Worse, he has defended a murderer who has been released. Then the murderer goes on to kill someone else; a woman or a child maybe. On such a day the old man stops at the bottom of the hill, buys himself a beer in the bar to give himself courage to mount the hill.

What will he say to his wife? ‘I have lost a case; I have won a case. A free man is in prison. Another is dead because of me. I am a bad person and a bad lawyer.’ How will he get up the next day? Will he remember what has gone before, apologise to God, read his next set of papers? He feels as crumpled and worn as his shirt.

Her mother is tall. She has kept her figure, unlike so many of our women. Like Martha, turned into a soft ball by four children. Too many, I said, but the priest was on her side. No matter the apartment was too small, my salary barely sufficient, her womb over-efficient, my self-control deficient. Only saved by the surgeon’s knife, slicing its way through poisoned tissue.

The girl will never have that trouble, growing up tall and willowy like her mother. I see her at a college graduation, half a head taller than the other girls, long hair black as a moonless night. Desired, she frightens the young men, she is so serious. Her own desire is hidden by her ambition, her compassion. As yet she feels none. She loves her mother, fears her father, lives for the visits of her grandfather, who spoils her with chocolates and ice cream. Grandfather smells of sweat and old tobacco, talks of a world long ago lost; a world out of the history books when there was no freedom and police on every corner.

Saturday morning, she is not at her desk. She is playing handball at the sports centre or swimming at the beach. Mother takes her, towels stuffed into a woven shopping bag, their swimming costumes worn underneath, wet and uncomfortable on the way home, temporarily staining the seats of the bus. Father will have done the shopping. ‘Manuel!’ declares the mother, ‘you have forgotten the…….’

‘Papa always forgets something,’ says the girl.

Not like me. I have a list. My life is lived by lists. Shopping, family birthdays, dates of bills to be paid, reports to be written, meetings to attend, telephone calls to make, people to interview. When I retire the lists will remain, to be picked up by a younger man who comes after me, one whose ambition has not been ground down by the sandstone of the system.

He carries a boulder on his shoulders. I cannot see it, but it must be there. The boulder forces him to bend forward, to crawl slowly up the hill like the man in mythology who is forever pushing his load upwards, always to lose control of it at the last minute.

Papa was like that when he left, slow and bent. Some days he stood up straight. Those days he turned red, shouted at mamma. Never at me. Mamma shouted back. I think they enjoyed themselves then, like the dogs in the park who snarl and growl at one another, biting legs and tails. Afterwards they march off proudly, having shown what brave dogs they are. Papa and Mamma could not walk off. They stood snarling at one another until Papa went to work and Mamma took me to school. He left after a week when there had been no school and he had no work. Said nothing to Mamma. Forgot to kiss me ‘goodbye’.

When I finish school I will go and look for him. He will kiss me and call me ‘Princess’ again. Whenever I draw a picture he is in it somewhere: a man standing next to Columbus, a conquistador on a horse, an Eskimo watching the ice melt. I will be a private investigator. No. Girls are not detectives or private investigators. I will be a cleaner in the hospital, like Mamma. Eventually everyone has to go to hospital. One day Papa will come in with a cut or even a broken arm. He will see me and pick me up with his one arm. He is so strong he only needs one arm.

The old man cannot pick me up, though I am still only little. Long and thin, but little. He regrets having no-one to pick up, no bedtime stories to read. What does he read to himself before he goes to sleep? Mamma reads nothing. She sits in front of the television after supper, nods off to sleep, wakes to shout at the politicians before sending me to bed. Nowadays I read my own bedtime stories.

I am reading a book by an English man who lived here for a short while in the bad times. Once I read love stories but now I prefer imagination to the fiction of love. The hero betrays the woman; the woman betrays the man. The rulers betray everyone except themselves. Politicians betray even themselves. Politicians do not know it, but it is not they who are the rulers. Lovers do not know it, but love is a fiction. Only death is real.

Martha will live on long after me. She is five years younger, one in a succession of long-lived women. Why would she need a dried up old stick, one who cannot even pretend to give her satisfaction? The children will take her in. One of the girls, daughters in law ever jealous to keep all women away from their man, boys always willing to be mothered.

If I dared I would run away, find a house in a village far from anywhere. Grow tomatoes, keep chickens, grow a beard down to my waist. Shaving is such a waste of time. Time is a commodity which is not guaranteed.

I never see the girl’s father; the mother only rarely. Where is he? Working long hours somewhere on the other side of the city or in another country. Many were those in my youth who left for sea, away for weeks or months, returning with pockets full and heads empty, washed clean by brine. Her father will arrive home one day, captain of an oil tanker too huge to even enter the port. He will pick her up, throw her into the air, call her ‘my darling’, take them all off for a meal in the kind of restaurant I could never afford. She will show him her school books; tell him what medical school she will attend.

Mamma has her period. She says I will start mine one day soon. One of the girls in my class already has. Two years early says my teacher, annoyed at having to find her a clean PE skirt to wear. Next week we will have special lessons: the boys in one room with the male biology teacher, us in another room with our class teacher. The boys talk about what will be in the lessons and giggle. We have been better prepared by our mothers, more confident talking to us than to our brothers. We are all Catholic, of course, and know the church’s teaching about contraception, adultery, divorce and self-abuse. Disease, AIDS, unwanted babies: momma has told me everything. And men. Men are untrustworthy bastards, she says. (She rarely swears, so she must be serious). They will make promises, swear to look after a girl, marry her if she is good to him, love her for ever. Believe him and he will leave you with a house full of children and no money, says Mamma. Life is a business, do nothing until you have a legal document, all signed, sealed and delivered.

I understand the rules and the penalties, like I understand the rules and penalties in football. What I don´t understand is why anyone bothers with either of them. ´Hormones,’ says the biology master. We want him to show us one. When he cannot, we do not believe him, in the same way we do not believe the priest when he says the wafer is turned into God’s flesh. It still tastes of nothing, not even bread.

This hill gets steeper every day. Martha is upset. The youngest boy is taking his family to America. That makes three of the four out of the country, including all the grandchildren. The girl remains, but she is in love with an English man. They will marry and she, too, will be gone, leaving us alone with one another with nowhere to go on weekends or for holidays. She talked to me about it without cease last night. This morning all that passes her lips is cold coffee.

There is a strange car parked on the road this evening. I have seen it before. Dark blue like the sea on a stormy day. I have no idea of the make, even less of the model. Usually I see it only in the evening. This week I have twice seen it in the morning as well. A visitor, a friend, a lover. Who knows? The girl is at her books, which are piled up neatly next to her desk lamp. Her tongue is tucked in her left cheek, eyes half closed in concentration. Serious work tonight.

I must finish everything by the end of the week, my teacher says. All the work has to be in and marked before I change school. Next term I will be at the School of the Immaculate Conception behind the university medical faculty. Mamma will be the waitress in the restaurant. I can help sometimes, she says. Our new apartment is above the restaurant, looking out onto the busy street, so I can watch the cars and the buses and the motorbikes whizzing by instead of the old man crawling up the hill.

The people who come into the restaurant are very clever. They are the doctors and the students from the medical faculty. Many of them are women. Of course they are, says Mamma, women can do anything. I have never seen a woman driving a bus or a lorry. Except for foreign buses or lorries, but they do not count. Maybe if I study hard I could be a nurse or a doctor, not just the girl who serves the food or looks at them out of the bedroom window.

I stopped last night outside the girl’s window, only half way up the hill. The night was hot, I was slow, eaten by the heat. I have always climbed the hill in one pass. Not to do so is to admit to old age. The girl was not there. I looked through the slats in the blinds to the empty apartment beyond. Where has she gone? Off to Argentina in her father’s ship? Away to the capital, to the bright lights and temptations?

Martha tells me how slow I have become. She asks me a question. I pause for thought. One second? Two seconds? Ten seconds? Then reply. My boss complains I am slow. That report should have been finished yesterday. Why have I not telephoned for the information yet? We will need to find a younger man, one who can keep up with the pace of modern business.

I know I am safe. My retirement is close. Ease me out now and it will cost him twice as much to let me go. I am slow but thorough; the office can rely upon me. My boss gives me the boring jobs no-one else wants. He knows they will be completed, eventually. My bus is slow, packed full of passengers at the end of the day. The Park of the Palace drifts by; the university engineering building; the tennis school; the whole sweaty length of the Diagonal.

At my stop I am the last to leave, the automatic doors shutting close on my heels. Tonight I will tackle the hill in a single stage. No stopping for thought or breath. Determined, I scan the road. Clear, save for a single slow-moving bus. No point waiting for the lights. I can easily cross the road ahead of the bus.

 About the author 

Tony Warner live in Norwich, Norfolk. he has published a novel based on the fictional meeting of Vincent Van Gogh and Pablo Picasso, a book of short stories, several poems and short stories. He moonlights as an art critic and he is renovating a thirteenth century church as a scriptorum