Wednesday, 24 August 2022

Fleeting Beauty by Kathy Whipple, ginger tea

 Evening light shone melon-orange in the sky and golden through the rice panicles. I walked towards the sea on a rain-soaked road. A gecko scampered across my path. Crickets chirped in unison. I took deep breaths of heavy, floral scented air.

            A small, barefoot boy with smooth, brown skin and flyaway hair interrupted my reverie. There was a large gap in his mouth where he’d lost his two front teeth, reminding me of my own children at his age. He held out his hands like a cup. A fly clung to his cheek.

             I looked around for a mother. For anyone.

Kasih uang bu,” he said. Give me some money, Miss.

His searching eyes bore into mine.

I shook my head in anger that the child had to beg.

“Too young,” I thought. And wished I had a few rupiah for him.

With down-cast eyes, I turned my pockets inside out to show the boy I had no cash.

A wide smile spread across his face. He reached inside his pocket as he stepped forward.  Into my hand he slipped a nut, shiny and smooth.

Before I could acknowledge the gift, he left running through the rice fields, head bobbing.

I held that nut sacred, and watched through tears as the sun sank below the horizon.

 

About the author

Kathy Whipple is a musician, artist, and writer living in Boise, Idaho. Her writing is inspired by her travels and time living in Southeast Asia. She has previously published in CafeLit, Spillwords, Madswirl, and Friday Flash Fiction

 

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Tuesday, 23 August 2022

Red Lights by Jenny Palmer, a cup of tea

 I normally go for my afternoon walk straight after lunch. My favourite walk is downhill, past the meadow where the chickens run out onto the road, followed by the narrow road to Ings End, with the brook at the bottom. I must be careful here of any oncoming traffic. I’m climbing up the hill towards Stopper Lane, when I notice two red lights directly in front of me. It looks like the flashing lights on the wings of a low-flying plane, and it is coming straight at me.

 As I get nearer, I realise it isn’t a plane at all. It looks more like a ball of fire. It can’t be the sun as it is already mid-afternoon, and the sun is over to the west by now.  Perhaps a tree has been struck by lightning or a high-voltage electricity pylon has exploded and has set fire to a tree. This is often the explanation given by the electricity board when the power goes off, as it is wont to do. Something like that could well have ignited a fireball in the tree canopy. Fires spread easily and can easily turn into conflagrations in hot weather.

The red ball is glows ever brighter. It is dazzling.  As I approach, I notice a footpath sign into the field leading to the coppice.  I normally try to avoid walking in fields, especially ones where there are marauding cattle, intent on protecting their young calves. But this field is a hay meadow. The cattle and sheep have been kept out all spring, allowing the grass to grow long and luscious. The grass is interspersed with a mixture of wildflowers: buttercups, yellow rattle, clover and meadow cranesbill.

            It has rained heavily during the night, so the grass is soaking wet. I wish I’d put on my walking boots, instead of my trainers. The path isn’t visible because of the long grass, so I head straight across as the crow flies. It doesn’t take me long to realise that there haven’t been any high voltage explosions or fires.  What I am seeing is someone in a red jacket, dangling from a rope. A tree surgeon, possibly. He must have gone up there to conduct essential service work, such as lopping off dead branches. I can’t imagine how he has got up there. There is no sign of a ladder or a winch in the vicinity. Somehow or other, he has got entangled in the ropes and is now swinging helplessly back and forth in the wind, with his arms and legs flailing about in all directions.

I can’t help thinking it was foolhardy of him to even attempt to go up there in the first place, without knowing how he is going to get down.  He shouldn’t be in the coppice, anyway. Doesn’t he know that coppices are sacred places? They are markers of where there were once human settlements. Over thousands of years the ancient buildings have fallen into ruin and disappeared until all that’s left is the trees. I remember a coppice from my youth. There was one on an outcrop of rock, known as Fairy Hill.

‘Don’t you be going in there,’ the farmer used to say, whenever he saw us playing nearby.  ‘It is the home of the little people. If you go in there, you might never come out.’

I am wary of going into the coppice, but I can’t leave the man dangling like that and there is no sign of anyone else around. I am no good at climbing trees. And if I shout up, I doubt if he’ll be able to hear me, what with the wind howling so loudly. Anyway, it looks as if all the life has gone out of him now. It might be best to call emergency services and ask them to send out air ambulance. 

When I finally reach the edge of the coppice, I look up and try to focus. What I see isn’t a person in a red jacket dangling from a rope at all. And it isn’t a plane with flashing, red lights or even an orange fireball. It is one of those celebratory balloons, the type you buy for birthdays and special occasions. It must have got caught in the branches and its metallic surface has turned a bright, shiny, red colour in the afternoon sun.   

‘Try to concentrate on the lights in front of you,’ a voice is saying. ‘It will soon be over.’

I remember I am not on a walk at all. I am in an operating theatre, having a cataract removed. The eye surgeon is leaning over me, with a set of surgical instruments in her hands. As they wheel me into the recovery room, I’m longing for the cup of tea and the sandwich they have promised me.

About the author

Jenny Palmer writes short stories, poetry, memoir and family history. Her stories are on the Cafelit website. Keepsake and other stories published by Bridge House, is available on Amazon. Her work is sold at the Pendle Heritage Centre in Barrowford and at No 10 Literature and Lifestyle in Clitheroe. 

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Monday, 22 August 2022

KINDER DOWNFALL by Daisy Ravenel, spring water

 

At the highest point of the Peak District, there is a waterfall that flows upwards.

'Nonsense,' my dad huffs when I tell him about it. For a man who has always wanted to visit the Peak District, he's in a dark mood. He has other things on his mind.

The thing is, he didn’t want me to come on this trip.

He told me about his plan three months ago, just after he got his diagnosis. 'It’s called a bucket list,' he’d said. 'It’s a list of things you want to do. And this is top of mine.'

Every day I went to see him, he had another item on his itinerary. Take a boat trip down the River Wye. Visit the alpaca farm. Go on a biking trail. Explore the caverns.

'That old lead mine below Winnats Pass, that's the one,' he said, jabbing at a brochure. 'That’s where I’m going. You know how old it is?' But then he interrupted himself with a cacophony of coughs, thunderous staccatos that left him hunched over, grasping at his chest.

'I’ll get you some water,' I said, but his barked reply made me freeze in place.

'Don’t!' He coughs once more, as if punctuating himself for emphasis. 'Don’t. I can do it myself.'

He is coughing a lot today too. Before we set out this morning he joked that the fresh mountain air would do him good. Looking at his frail form bent over double a few paces behind me, it seems as though it has done the opposite. When I walk back to him and place a gentle hand on his shoulder, he shrugs me off.

'I’m fine. Leave it.'

In front of the cancer nurses and the carers, my dad is another man. He is amiable, jolly even, tamely allowing them to fuss over him. He smiles as a nurse mops the side of his mouth with a napkin, patiently letting her dab away the thick yellow bile that seems to leak from his lips more and more. He thanks the carer who drops off his shopping for him, telling him what a help she is. With his doctor he tells jokes, pausing only to discreetly cough into his handkerchief. I do not clean my dad’s face for him, nor do I help him with his shopping. When I collect his fresh laundry and begin to fold it, he hisses at me to sit down. When I slide his cup of tea closer to him for easy access, he pushes it back—out of my reach, out of his reach too. He will put his life in the hands of strangers, but not in mine, so I sit next to him uselessly, doing nothing, saying nothing. I have shrunk back past my thirties, twenties, sped back through puberty and back to my helpless ten year old self.

When I was a little girl, my dad taught me how to ride a bike. He held the bike steady as I peddled, making sure it didn’t wobble. Then, once I had successfully completed three dad-assisted laps of the garden, he took his hands off the bike. A few seconds later I smacked face down in the grass, knee smarting as it scraped the ground and bike wheels spinning at full tilt in front of my eyes. I can still see my dad looking down at me apologetically. He had let go. He had let me fall. I was his little girl and I had scraped my knee on his watch.

That is how things go, isn’t it? Parents protect. Children are protected. When the tables turn, it’s something unnatural, something perverse. It’s a sunbeam that casts no light, ice that’s hot to the touch, time flowing backwards.

My father looks at me and sees a ten year old clumsily puppeteering a middle aged woman’s body. Yet this frail man, bent like a tree pushed by strong winds, is not the father my ten year old self looked up to. He is the last version of my father I will ever have, and that makes him the most precious.

After he told me about the trip, I lay awake each night with worst-case scenarios playing in my head like a movie I could not turn off. My dad tripping and falling, my dad getting lost in the mountains, my dad carried along by the currents of the rivers. I knew he would resent me inviting myself along, but I had to do it. I had to do it for his own good.

I knew if he heard those last three words he might never forgive me.

The craggy rocks around us are steep, and I wonder if taking my dad to see the waterfall was a mistake. We climb slowly, stopping every time my dad needs to catch his breath.

He needs to catch his breath often.

As I watch his chest rise and fall with what seems to be a herculean effort, I contemplate heading back down the mountain. We are almost at the top, but the air grows fiercer the higher we climb, as if to push us back where we came from.

My dad cannot make this climb. I was irresponsible to make him try, irresponsible not to consider whether he could do it.

Would one of his nurses have failed him this way? Would his carer—sunny-haired, sunny-faced Sheryl, who comes every afternoon to make lunch for him—have made him walk a path he could not finish? I have grabbed him into my unsteady, inexperienced hand and now I cannot lift his weight.

My dad was right to push me back when I tried to help him, right to tell me to sit and watch and let the professionals do what I cannot. This is what happens when you try to make a clock’s hand run in the wrong direction.

'I’m sorry,' I say.

A stuttered cough. A furrow of the eyebrows. And then, 'For what?'

'All of it. Inviting myself on this trip even though I knew you wanted to do it alone. Interfering and fussing over you when you hate it. Making you climb this stupid great hill to see some silly waterfall that probably doesn’t even really flow upwards—'

That’s when my dad points. I follow the path of his finger, past the flint grey rocks all around us and the little tufts of fresh grass to the distance, where I see it. The waterfall.

Cascading down the cliff is Kinder Downfall, a stream of fizzy white water tumbling down to a bed of rocks below. It’s beautiful and humbling and not what I wanted to see at all.

'There you go then,' I say, turning back to my dad and sighing. 'There it is, going in the same direction as every other waterfall on the planet. I’m sorry for that too.'

A strong gust of wind knocks against us, making my dad wobble unsteadily, and I quickly catch him, grabbing hold of his shoulders to keep him on his feet. He opens his mouth—to scold me, I already know, can already hear whatever admonition he’s about to bark at me—but nothing comes out. He’s not even looking at me, I realise, but over my shoulder at Kinder Downfall.

I wheel around on my heel, and Kinder Downfall sprays up water in an impossible jet. The high wind is carrying the water up in triumphant sprays, a defiant disobedience of everything I understand about the world. Behind me, I hear a wonderful rumble I haven’t heard for years - my dad is laughing in joy, a genuine belly laugh.

As the wind howls around us, the waterfall continues gushing upwards. When the water finally reaches its mutinous peak it does not give in to nature and return down to the earth below, but instead evaporates into smoky tendrils of steam.

When I look back, my dad is leaning against a rock, smiling with a brightness I didn’t know could still cross his features for me.

The wind brushes around and against us, and then retreats. I hear the gurgle of Kinder Downfall behind me as it returns to its typical path down the cliff once again, greeting the rocks at the bottom with a gentle splish-splash. I join my dad, hoisting myself up to sit on the rock he rests against. For a while, we say nothing. Finally, my dad finds my hand and squeezes it tightly. He squeezes it like he is trying to impress the shape of his palm upon mine, to leave a permanent imprint of his life line against my own.

'Thank you,' he says, 'for showing me the waterfall.'

He lets me steady his shoulder as we walk back down the mountain.

About the author

Daisy Ravenel is a writer and part-time cat wrangler interested in the strange, the whimsical and the unexplained. She can be found on Twitter at @daisy_ravenel

 

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Sunday, 21 August 2022

Vandals by Gill James, liquid porridge

 

"Go on then, dare you.  There's nobody coming up."

The escalator in the Metrolink station was whirring and clanking to itself. It seemed a waste of electricity, it running like that all the time. They were always banging on about looking after the environment, weren't they? "Don't be daft."

"Trevor's a wimpy. Trevor's a wimp."

"Okay then. Bet I can get down quicker than you can."

Trevor set off charging down the escalator that was coming up. It was a bit disconcerting. The steps kept on coming. He really had to run even to stay in the same place. At one point he really thought he wasn't going to make it.

Then there was a screech and a rattle. The escalator came to a sudden stop, throwing Trevor forward.

He thumped right into an old man, pushing him over.

"What the fuck do you think you two are doing? Bloody vandals you are." The man was already struggling with his breath.

"There is a lift, you know. It's just round the corner," said Alfo.

The old man shook his head as he pulled himself on to his feet.  "Damn thing's bust. You should think about other people before you start messing around."

The man carried on walking slowly up the now stationary escalator as Trevor rushed back up.

"He don't look so good," whispered Alfo.

It was true, the old man was really wheezing and puffing and his lips had gone a bit blue. But he seemed to recover when he got to the top. "I'm going to tell the police about you. It's a crime what you've done here. This escalator was put here for a purpose. What are your names?"

Alfo nudged Trevor. "Don't tell him nothing. He don't know who we are."     

Just at that moment, though, two people in uniform appeared.

"Oh no," whispered Alfo.

They were British Transport Police.

"So, what's been going on here, then?" asked the big burly one with the moustache.

"These vandals were mucking around on the escalator." The old man nodded his head towards Trevor and Alfo.

"It wasn't me. It was only him," Alfo pointed at Trevor. 

"That's true enough," said the old man. "But I bet he'd have joined in if the escalator hadn't stopped."

The other officer, a young woman who Trevor actually thought was quite pretty, cleared her throat. "You do realise, don't you, that you have done some considerable damage to private property?"

"Don't you just have to press the reset button?" Alfo ran his fingers through his hair. "Anyway it's public property, ain't it?"  

The officer shook her head. "Nope. They tried that. It's well and truly knackered. It serves the public but it's still private property."

 

Trevor's mum looked over his shoulder as he read the letter from the magistrate's court. He was to appear there 14 September, 11.00 a.m.

She shook her head.

"I told you not to mix with that Alfo. He's a bad influence."

"We were only mucking about, Mum."       

 

Trevor's mum had insisted he borrow his dad's suit and put on a white shirt and a tie. He hated ties anyway. He was very aware that Dad's suit hung loose on him and it smelt of cigarette smoke. That was at least one thing he didn't do. Smoke. Couldn't they be grateful for that one thing? He'd had his hair cut as well and he'd polished his shoes. But the shirt collar was irritating him. He scratched at his neck.

There were three people sitting in front of him; two men in suits and a lady with long hair also in a suit. None of them smiled. The man who sat in the middle seemed to be in charge.

Trevor was asked a lot of questions by someone he'd never met before and then a few by the man who was supposed to be looking after him. There was a lot of it he didn't understand. 

"Very well, then," said the man in charge. "You say you meant no harm and we can believe that. But you do realise that you've caused a lot of damage? And you've made a lot of people uncomfortable. That escalator had only just been repaired. It will cost another £15,000 to put right. You may wish to reflect on how much you must work and how long it would take you to save enough to pay for that. This will be reflected in your sentencing."

Well, Trevor didn't earn anything at the moment. Not since the cafe where he worked had gone bankrupt.     

"So, we sentence you to ..Oh."

Someone had come into the court and handed a note to the woman in a gown who was standing by the door. She in turn handed it to the man sitting in front of the three magistrates.

The man in charge read the note. The he looked directly at Trevor. "I'm afraid this case has collapsed. We're going to have to dismiss this trial as now something much more important has arisen. There will have to be a new trial and it will have to be at the Crown Court."

 

 

“So what exactly happened, did you say?" his mother quizzed him later.

"That man. Mr Hawkins. The one I bumped into. He collapsed that night. He's been in hospital ever since. And he died this morning. Just when I was in the court."

"So what will happen now?"

"I don't know." But he dreaded the worst.  

 

    

It was almost time to go back to the cells. In fact Trevor was looking forward to it. He had to put on an act out there in the open and even though the doors were locked at least he would be left in peace for ten hours or so. He had no cell-mate at the moment. He would read a bit, maybe write a bit, perhaps work a little more on his sketches. They'd allowed him to study for a GNVQ in Fine Art. Before lights went out, he might be able to work a little on something to add to his portfolio.

He ambled back to his cell.

What a shock.

His sketches had all been ripped up.

Something that looked unmentionable had been smeared on to his water colours.

Someone had scribbled all over his acrylic pieces.

His whole portfolio was ruined.

He pressed the emergency call button.

"Look what they've done," he said when Clements appeared.

"Hardly an emergency is it?" said Clements. He started picking up the papers that were strewn all over the floor.

"Can you do anything about it?"

Clements shook his head. "They're just vandals aren't they? Just think of the charges you're on, matey. Karma, ain't it? Heard of that?"   

About the author 

 

Gill James is published by The Red Telephone, Butterfly and Chapeltown. She edits CafeLit. She writes for the online community news magazine: Talking About My Generation She is a Lecturer in Creative Writing and has an MA in Writing for Children and PhD in Creative and Critical Writing http://www.gilljameswriter.com 

https://www.amazon.co.uk/-/e/B001KMQRKE

https://twitter.com/GillJames 

https://www.facebook.com/gilljameswriter 

 

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Saturday, 20 August 2022

NEW DAWN by Kevin Wood, black water

 

I awoke in the shadow of the dawn of a brand-new day. This would be a strange day the like of which I had never had to face before.

It was such a beautiful day. It was late summer but instead of the sweet smell of the season the acrid aroma of the room filled the air around me. Outside I could hear the faint sound of sweet singing. Not birdsong. It was coming from my neighbour next door. I listened for a while until I decided it was time to prepare myself to face the ordeal that this morning would bring. The sun had risen and was sending shadows through the window and across the room.

And it is at times like these that you have a chance to pause and reflect. My life has been good life. I’ve lived it well. I’m not saying that I have never done anything wrong. I believe that anyone who thinks that is not being true to themselves. I’m not a wicked man though. Whenever possible I have followed the true way, God's way and made sure that I did good deeds and led a good life.

Neither have I done any of these terrible things that I stand accused of. Such accusations! Not only against me but also many others. They are accusations that have been made by wicked people with their own ideas and prejudices against both myself, my family and my friends. I despair at the things that have been said. We have always tried to do our best for everyone. For the community.

But I’m not bitter. I forgive them. I forgive them all.

After a short while the singing stopped. It was replaced by the sound of footsteps. Approaching. Heavy booted. And as they neared the sound of whispered voices could be heard also getting closer. I checked my clothing to make sure it was presentable. Or as presentable as could be expected in the circumstances. I straightened myself up and ran my fingers through my hair to tidy it up. Then down the lines of my face. Without a mirror it was the best I could do but on such a lovely day it was important to look one’s best. I smiled. Everything was in order.

The door opened. Two stern figures in uniform stood there scowling over towards me. They were tall and stockily built.

‘What a beautiful day’ I said cheerily breaking the short silence.

‘Not for you’ one of them replied gruffly.

I smiled again. Possibly a weak smile but a smile nonetheless. It was the best I could manage.

They walked across the room and grabbed me tightly by my arms and pushed me out of the door and into the fresh air of this new dawn. I looked up at the blue August sky and smiled once more. Though my rough treatment was causing me some pain I thought to myself how nature had dressed this morning up for a special occasion. God in all his Glory would be pleased with his work.

They frog-marched me across the square and up to where the others were waiting. I looked ahead of me and I could clearly see my step-mother and her friends had been assembled on a nearby platform. They were arranged in a line. I joined them. From that platform I looked down and across into the crowd around us that had gathered for the occasion. I could see my brother and father there looking ashen faced from what I could make out. Other friends and relatives had also turned up to witness the event.

Back in the line on the platform each of us waited in turn. When my turn came and a noose was placed around my neck from the gallows above. Then a silence.

For a moment I thought I heard birdsong. A jolt.

Then nothing.

 

On 20th August 1612 John Bulcock, his step-mother and others were hanged on Gallows Hill, Lancaster. Their crime was witchcraft. They were known as the Pendle Witches.

 

About the auhtor

Kevin Wood is based in Basildon, Essex. He writes mainly in the noir genre. His short story collection 'The Search for Ellie Babble' should be published later this year. 

 

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