Wednesday, 27 July 2022

As Rare as a... by Dawn Knox , oat milk

 

‘Ma! I’m home.’

‘Jack! You’re late! I expected you hours ago. Tell me what happened.’

‘Don’t fret, Ma! I found the man and he agreed to give me a refund.’

‘I should think so too. A fine cow is worth far more than a handful of beans.’

‘I told you he was reasonable.’

‘So, where’s the cow?’

‘He said he’d deliver it tomorrow. But it’s not a cow. I negotiated a better deal than that.’

‘What’s better than a cow?’

‘Look, here’s a photo. I picked it from his catalogue.’

‘Numptie! What are we going to do with a unicorn?’

 

About the author 

 Dawn’s three previous books in the Chronicles Chronicles series are ‘The Basilwade Chronicles, The Macaroon Chronicles and  The Crispin Chronicles published by Chapeltown Publishing. You can follow her here on https://dawnknox.comon Twitter: https://twitter.com/SunriseCalls Amazon Author: http://mybook.to/DawnKnox 
 
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Tuesday, 26 July 2022

Nerja Dreams by Gill James, sangria

 We didn't make it this year. Because of Covid 19.  The first time we went there as we stepped off the plane it felt like we were being fanned by a gigantic hairdryer. The engines were doing that weren’t they?  No, the air coming from the engines was actually cooler.

Mike's instructions had been good. After the ugly cement factory the scenery becomes better. Little town after little town huddled by the sea. 

"Don't drive straight into the town," Mike said. "Carry on along the coast road."

All was well until we came to the brow of a hill and could see not further. I got out of the car. Yes the road carried on, swinging sharply to the left.

We loved the place.

Year after year market traders handed us a fistful of prawns, an extra slice of steak or a juicy plum "para ella", our fair-skinned daughter.

We still visit the same supermarket that always has exactly what we need.

"You just have to make sure you think of it twenty-four hours in advance," says my husband. A shoe horn, a casserole dish, just right for two, and flip-flops without a toe stem have turned up that way.

This is the place that gave me my writing mojo. The stories came when we visited some magical caves nearby, when it rained in August even though it never rains in August, and when people gathered around the pool with their colourful tales.

There was an ad on Twitter today. "Come back," it said. "We're waiting for you."

Now I just want to feel the soft warm sand beneath my feet, the hot sun on my back and the salty sea breeze on my cheeks.  And find another story.       

About the author 

Gill James is published by The Red Telephone, Butterfly and Chapeltown.  

She edits CafeLit.

She writes for the online community news magazine: Talking About My Generation

She is a Lecturer in Creative Writing and has an MA in Writing for Children and PhD in Creative and Critical Writing    

            http://www.gilljameswriter.com   

 

Did you enjoy the story? Would you like to shout us a coffee? Half of what you pay goes to the writers and half to the project.

Monday, 25 July 2022

Mortality by Caitlin Samminga, Dark and Cloudy (ginger rum cocktail)

 An easel sat in the corner of the room with a half-painted portrait. A lamp set beside it, shining brightly. The only light in the small motel room. A woman sat on the edge of one of the two beds. The light barely touched her. She was young, black hair, crimson lips, and pale skin. Right across from her, sitting at the easel, was a man holding a paint brush. 

            “Tell me your story,” he said. His eyebrows pulled together facing the woman, then he turned to the easel to paint.

            The right side of her mouth curled upwards. “I thought we agreed, no questions.” 

            “We did, but when a young lady asks me to paint her old and gray, I get curious.” His brush stroked the canvas. “Why would you want to see yourself like this?” 

Silence.

A winter wind blew through the open sliding door beside the easel.

A huff of breath came between her lips. “We often desire what we can never have. Death is at everyone’s door, whether the wait is long for some or not, it will be faced.” She dropped her hands onto the bed and gripped the quilt, clenching and unclenching her fingers.

“And what has someone as young as you thinking about death so much?” He shifted between her and the painting. “Surely there are more pleasant things to dwell on?” 

She moved her watch into the light, then she picked up the clock beside the bed, “Everyone has to think about death at some point.”

He dipped his paintbrush into some cream-colored paint. “Do you have another appointment you need to get to tonight?” Goosebumps rounded up and down his arms as the wind blew in that small room. 

“Not exactly, just counting the minutes…” she said.

“The minutes to what exactly? You’ve been giving off an air of mystery ever since you arrived tonight.” He spun around to face her. “I don’t like not knowing who I am painting, and for such an odd request I don’t find it unheard of to get at least one important question answered.” He tapped his leg with his paint brush, drops of paint falling onto the rug. 

“Sir, I don’t see the importance of this. I don’t even know your name and I haven’t asked. Why do you want to know my reasoning?” she pulled her shoulders back as she spoke. “Besides, you were hired for a job.” Her jaw was set firm. “Can you simply, do it? We had a deal. This is more talking than I had agreed upon.”

He stopped tapping and a smile crept across his face. “The name is William. It's a pleasure to make your acquaintance.” He spun back around and worked on the fine details of the portrait. “You would have known my name had you been the one to book this appointment.”

Her shoulders slumped. “I didn’t book this appointment, William, because I have no desire to know any more people.” She turned her face toward the breeze and closed her eyes.

He opened his mouth to reply, then he turned towards her. The moonlight shone onto her, illuminating more. He turned to the portrait quickly gathering all the detail he could, the portrait was nearly done. He dipped his brush into a dark cream-colored paint, placing the wrinkles around the mouth. He moved his hand methodically over the canvas. 

A few clouds hung in the sky; the breeze grew colder as the moonlight made shadows dance on the walls. 

Her phone began to buzz, she lifted it showing a reminder. She reached down grabbing her purse and getting up she headed to the bathroom.

He turned to the bed after she left, a small hospital bracelet sat on the floor. “Hey you…” He cut his words short, he leaned forward reaching for it.

“I what?” She stepped out of the bathroom.

He retracted his hand. “You are nearly done, but any chance you could tell me what made you think of this kind of picture?”

She sat on the bed, where she had once been. “You can sell it.”

“You’re joking, right? Why would I sell this?” He set his paintbrush down on the palette.

She grabbed her jacket off the bed and walked to the room door. “Thank you for allowing me to see this portrait.” She opened the door and left.

He followed behind her, leaving the finished portrait sitting in the corner of the room.

 About the auhtor

I am a mom of two toddlers who has a passion for putting a twist on everyday topics. 

 

 

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Sunday, 24 July 2022

Regrets, Reversals by Maggie Nerz Iribarne, water

Cora immediately recognized her new neighbor, Shirley, standing on the porch, huffing and puffing, wearing a green caftan and holding a pug.

“Are you going to this Ladies Pot Luck thingy?” she asked without any other greeting. Cora half smiled, which Shirley seemed to think meant yes. She turned, her green garb flowing with her large body. “See you later then!”

Cora, straining to hold her grocery bags, responded with only speechlessness and dread.

***

Shirley arrived with her face sweating beneath a shield of makeup, a pasta salad in her hands. Cora forced a smile, turned to close the door, felt Shirley examining her. 

“I’m on a deadline-I didn’t have time to make anything,” she said, explaining the bag of Oreos.

 “So - you’re in there all alone all day-doing what-typing?”

“Sometimes,” Cora said, a flash of a sexy rendezvous in her bed after the last neighborhood event emerged and receded. 

“That’s why you’re so pale,”  Shirley said.

***

The Steins' door opened and Shirley was swallowed up by a throng of curious ladies. Cora, having sworn off drinking with the neighbors, avoided the wine bar, receded to the background with a plastic cup of water and a sagging paper plate full of ziti. 

“Hey, neighbor.”

Linda Goodson.  The one who kept white lit candles in her windows all year long. 

“How’s Jamie?” she asked.

“He left. We’re divorced,” Cora said, looking around the room at all the other women laughing, sipping glasses of  white wine. 

Linda scurried off. 

***

            “Anyone like a reading?” Shirley called out,  holding court at the main table, hands shuffling a deck of tarot cards, eyebrows raised.

Amy McFarland, the unofficial queen of the neighborhood, approached, her lips clamped in what Cora read as general dismay. 

“I’ll give it a go,” she said approaching while all the other women crowded around.

Shirley explained how the cards were not a prediction, they were a reflection, just something to think about. And that with every truth the cards might show they also can present the reversal of that truth.

. “Do you have a question in your heart?” she asked Amy. 

Cora’s breath caught.

“Yeah, will Kevin empty the dishwasher tomorrow?” she said, causing a roar of laughter.  Shirley laid out three cards before Amy.

“Your past, your present, your future,” she said solemnly. 

One by one, Shirley turned the cards. 

“The lovers! A force binding two entities together. This card suggests unity in relationships, harmony, but it can also touch on imbalance, conflict, disconnection.”

 The circle of ladies tightened around Shirley and Amy.

Cora stepped backward, drawing further into the shadows.

“The present. The three of swords,” Shirley’s voice diminished. “Associated with power and conflict.”

Cora laser focused on Amy’s face, glowing beneath the crystal chandelier, gripped in a flat smirk. 

Finally, for the future, Shirley turned the death card, causing an Oh! rose up from the hush. 

“I guess I don’t need to go to the gym tomorrow!” Amy broke through, triggering a wave of giggles.

“Shirley, put those cards away! We don’t need that hocus pocus when we have good old fashioned gossip to attend to!” Marylou Stein, the hostess, scolded.

That was Cora’s cue to leave. She did not wait for Shirley. She did not collect her bag of untouched Oreos. She grabbed her purse and passed through the front door, unseen.

***

Cora walked quickly, too fast for the hot summer evening. Her legs and arms pumping in tandem, she began to sweat, to pant, the energy within her at the party diminishing with each step.  Tempting fate, she hesitated at Kevin (and Amy) McFarland’s house. 

Butterflies shot up from her core, she looked up, fists clenched, wished for him to be there, and he was, in his bedroom window, gazing down at her. 

An invitation?

 Her body prickled with desire for this more-than-middle-aged insurance salesman.  When they first met at the fall welcome party, when he shared the last beer with her that unseasonably cold night, he told her he used to write poetry, have long hair, that he always wanted a motorcycle. He was sweet and sad, and, like Cora, drunk.

She thought of the Tarot, of reversals, of her ex, now remarried to another, more interesting woman. He reversed, so could she.

She turned away from the beckoning window, followed the straight path home, through the door, the rooms of her dark house, to bed, peeling back the white duvet, sliding in, to sleep, to dream. 

About the author


Maggie Nerz Iribarne is a 52 year old late bloomer, living her writing dream in a yellow house in Syracuse, New York. She writes about teenagers, witches, priests/nuns, cleaning ladies, runaways, struggling teachers, and ghosts, among other things. She keeps a portfolio of her published work at https://www.maggienerziribarne.com. 

Did you enjoy the story? Would you like to shout us a coffee? Half of what you pay goes to the writers and half to the project.